6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 5.0 | |
| Overall | 5.0 |
| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (96kHz, 24-bit)
English: LPCM 2.0 (192kHz, 24-bit)
None
Blu-ray Disc
Three-disc set (1 BD, 2 CDs)
Region A (B, C untested)
| Movie | 5.0 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 5.0 | |
| Overall | 5.0 |
Note: The May and June 2026 glut of releases from Rhino Music and Warner Music Group prompted several appreciated private messages
from readers, and I received some requests to offer thoughts on a couple of Rhino releases in particular that had gotten passed over at the time of
release. This is still available at Amazon as of the writing of this review.
Here's your useless trivia for the day: despite being repeatedly refuted by the actual songwriters involved, the legendary title tune of this maybe
just
slightly less legendary album has often been reputed to be about the infamous Kimball Sanitarium in La Crescenta, California (hilariously now the
site
of a Ralph's supermarket). One of the Kimball Sanitarium's "claims to fame" was its months long institutionalization of Frances Farmer, where she
was subjected to repeated insulin shock therapy treatments before she literally walked away from the premises and hiked some 40 miles to get to
her
nearest
family member, her half sister Rita. Even if that particular allusion may not be true, Hotel California (the song) has entered the annals of
enigmatic classics to make it
to Number 1 on Billboard's singles chart, though what some may not remember is that the title tune was actually the sophomore
single off of the album, and in fact New Kid in Town had itself made it to Number 1 previously. The best remembered songs on this album
are probably those two, along with the somewhat lower charting Life in the Fast Lane, and if some of the "and the rest" material may not
be
as immediately memorable, the entire album is so glossily produced (that's meant as a compliment) that it's easy to understand why it became one
of
the best loved albums from the band.


This is another Rhino audio Blu-ray release with a static menu, with the typical changes in font and color as tracks are either scrolled through or actually selected (the "speaker" icon appears next to the track playing). I've shown some of the changes in highlighted titles and/or selected titles in the screenshots I've uploaded to accompany this review. This is commendably one of the (IMHO) smartly authored discs from Rhino where the color buttons on the remote to instantly toggle between codecs (without the song starting over). I have been repeatedly perplexed for years by the variant ways the Rhino and WMG audio Blu-rays have been authored in this regard, and I for one wish they'd standardize things to this regimen.

Hotel California offers DTS-HD Master Audio 5.1 and LPCM 2.0 options. There's been some kind of interesting chatter about the lack of an Atmos mix on this disc, though perhaps surprisingly some fans have been in favor of omitting an Atmos mix, preferring this surround mix originally created by Elliot Scheiner and Bill Szymczyk in 2001, which offers good immersion, but not much actual movement. There are some really interesting exceptions, however, including that kind of almost subliminal phased "whoosh" in Hotel California that distinctly rotates around the surround channels in the 5.1 mix. There's another moment in Hotel California that was probably formerly subliminal at lower resolutions and fidelity, namely a tape edit at circa 3:29 which is clearly audible now and produces a brief quasi-dropout. There's clear separation at times, with vocals often placed frontward and acoustic rhythm guitars in particular toward the rear. Those blistering electric guitars in Life in the Fast Lane are also positioned in the rear speakers but there's really fun discrete channelization. Some of the string adornments tend to be rearward as well. I had some passing qualms with the actual mix, with at times things like the guitar solo in the title song or even some of the vocals sounding just ever so slightly too far back in the overall wall of sound.

Unlike the recently reviewed Eagles: One of These
Nights, this 40th Anniversary Edition of Hotel California is a decidedly more involved affair from both a packaging standpoint as
well
as non disc swag. This comes housed in a box measuring approximately 12" wide by 12" high by 2" deep. The cover is "hinged" (permanently
attached
to the bottom), and allows access to a wealth of stuff inside, beginning with a really nice fabric bound hardcover book with archival writing, a ton of
photos of the band and paraphenalia (not that kind), along with track listings and credits. Underneath that are three posters and a replica tour book.
The two CDs and Blu-ray disc are in spindled pocket inserts inside the bottom cover. The first CD offers the original album, while the second CD
offers a previously unreleased concert, with the following tracks:
Live at The Los Angeles Forum (October 1976)

Hotel California continues to be an incredibly beloved album, as evidenced by the fact that readers reached out to me to ask for my thoughts on the audio Blu-ray now several years after this set's original release. Fans will certainly enjoy not just the lossless surround audio, but the really impressive array of extras Rhino has aggregated for this release. Highly recommended.
(Still not reliable for this title)

Atmos Blu-ray Audio
1977

Super Deluxe Edition | Blu-ray Audio
1970

Dolby Atmos Blu-ray Audio
1972

1990

1988

50th Anniversary Atmos Remix / Blu-ray Audio
1973

1987-2017

1985

Limited Deluxe Edition
2021

1995

Atmos Remix / Blu-ray Audio
1977

2021

1993

2019

2020

2019

Anniversary Super Deluxe Edition | Blu-ray Audio
1969

2018

2013

1994