7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
An eight-year-old girl asks her scheming neighbor for help in killing the monster under her bed that she thinks ate her family.
Starring: Mads Mikkelsen, David Dastmalchian, Sigourney Weaver, Rebecca Henderson, Sheila Atim| Thriller | Uncertain |
| Horror | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.98:1
Original aspect ratio: 3.00:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English, English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
4K Ultra HD
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 2.0 | |
| Overall | 3.5 |
Bryan Fuller and Mads Mikkelson first collaborated with each other during Hannibal, though it might be joked in the case of that series the titular "monster" was supposedly an actual human. Fuller both wrote and directed Dust Bunny and discloses in one of the snippet like supplements included on this disc that the original idea for the film was supposed to be for an episode of Amazing Stories (one assumes he meant the reboot), with an intentional evocation of some of the wonder (and terror) of old Amblin properties. Here, a little girl named Aurora (Sophie Sloan) is convinced a mutant dust bunny has in fact eaten her parents. As with many actual Amblin outings, there's already been a magical realist sprinkling of fairy (and/or monster) dust with the depiction of the formation of a dust bunny, and that ambience continues when Aurora wishes on a firefly for some kind of magical redeeming hero to enter her life, at which point a stranger known only as Resident 5B (Mads Mikkelson) shows up, seemingly in answer to Aurora's very prayer.


Note: This release does not include a 1080 Blu-ray, so these screenshots are taken directly from the 4K UHD disc and downscaled to 1080 and
SDR. Color space in particular is therefore not accurate. As of the writing of this review Lionsgate is not offering a 1080 presentation in Region A.
Because there
is no 1080 disc in this package, the 2K score above has been intentionally left blank.
Dust Bunny is presented in 4K UHD courtesy of Lionsgate Films with an HEVC / H.265 encoded 2160p transfer in 2.98:1. This may be the
widest aspect ratio I've ever reviewed, and the film evidently screened in 3.00:1, also unusually wide, so wide in fact that our database needs updating,
so the above aspect ratio specs will be changing once that happens). The IMDb lists the
Arri Alexa Mini LF and a 4K DI as the relevant data points for this presentation. I have not always been a consistent fan of Arri captures, but this is
definitely an exception, as even without a 1080 "baseline" to compare this to, from both a detail and especially palette perspective this is often a very
impressive looking 4K presentation. As can probably be gleaned from the screenshots I've uploaded to accompany this review, a lot of the film is dark,
and by that is meant not just a story underpinning but an actual lack of brightness running through the story. Even with many scenes bathed
in cobalt blues or misty teals, there's surprising fine detail on practical items like sets and costumes. A number of other vignettes are drenched in golds
and reds, and those can similarly show unexpected levels of fine detail. Some of the CGI elements are a bit on the "cartoony" side, but that kind of
adds to the Grimm's Fairy Tale quality of the narrative. The HDR / Dolby Vision grades* no doubt helps to clarify some of the
shadow detail while boosting a pretty expressive palette. There was some slight stuttering during the final closing credits roll, but I noticed no other
issues.
*Note: For what I think is the first time in my reviewing history my trusty Oppo 4K player had some kind of issue identifying Dolby Vision on
this release; the "notification" kept reverting to HDR10.

Dust Bunny features a fun Dolby Atmos track. The film has a lot of sonic activity courtesy of what amounts to a "road trip" of sorts for the two focal characters, and some of the crowded "urban" environments provide good surround activity. ShyBoy and Mark Nubar provide some source cues and an enjoyable ABBA tune accompanies the closing, all of which sound great. A song and dance in a church also has some engagement of the side and rear channels. Still, I'd rate this is a perhaps unexpectedly front and center anchored Atmos track, especially in terms of some of the dialogue scenes. That dialogue is always rendered cleanly and clearly. Optional English and Spanish subtitles are available.


I have been incredibly privileged to be able to interview all sorts of fascinating people during my tenure at this site, including such notables as Dena Kaye (Danny's daughter), Robert Forster, and director Godfrey Reggio, to name but three. But one of the most memorable moments in all of these interviews was when I probably impertinently suggested to Hannibal producer Martha de Laurentiis during a press junket for the series (which was then still running) that her step-granddaughter Giada would make for a perfect guest star, and she laughed so heartily we had to stop for a moment. Hannibal certainly showed off Mikkelson's more nefarious side, something that's certainly on tap interstitially here as well, but he's a "kinder, gentler" killer in a way, and his chemistry with Sloan really helps to elevate the film. Technical merits are solid and the supplements while often insanely brief are enjoyable. Recommended.