7.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Agnès Varda highlights the importance of tourism to the region of southern France with shots of sunbathers soaking in rays and the attractions that will occupy visitors of all ages.
Director: Agnès VardaForeign | 100% |
Documentary | 26% |
Short | 18% |
History | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
French: Dolby Digital Mono
English
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 5.0 | |
Audio | 3.0 | |
Extras | 0.5 | |
Overall | 4.0 |
Note: This film is available as part of
The Complete Films of Agnès Varda.
In the wake (figurative or otherwise) of Agnès Varda’s death last year at the age of 90, quite a bit has rightfully been written about this iconic force
in
both
French and global cinema. Varda’s output includes well over fifty credits as a director (including some television entries as detailed by the
IMDb), and aside from listing some of her better known triumphs,
many obituaries and/or eulogies about Varda mentioned any number of other biographical data points, including her rather unique position as a
woman in France’s nouvelle vague movement, her own feminism which was featured none too subtly in some of her films, and her
frequently provocative experimental style. But you know what one of the things that kind of fascinates me personally most about Varda? That she
was married for 28 years to Jacques Demy, from 1962 until Demy’s death in 1990. That Varda, often a purveyor of verité infused
“realism”,
whether that be in outright documentaries or at least ostensibly more “fictional” outings, and Demy, a director whose candy colored, dreamlike and
at least relatively "Hollywoodized" musicals with
Michel Legrand brought a new luster and gloss to French cinema, managed to make a marital go of it for so long is certainly testament to the
maxim
that “opposites attract”, even if those oppositional forces in this instance played out at least in part in terms of what kinds of films the two were
often
best remembered for. If Varda's long marriage to Demy is more than enough reason to celebrate her personal life, her professional life is
beautifully
feted in this rather astounding new set from Criterion, which aggregates an amazing 39 films (albeit some running as short as a few minutes) to
provide what is arguably one of the most insightful
overviews of Varda's cinematic oeuvre. Perhaps unavoidably, but also undeniably movingly, these personal and professional sides of
Varda
merge in at least some of the films in this set, including
The
Young
Girls Turn 25, The World of Jacques
Demy, Jacquot de Nantes, and The Beaches of Agnès.
Du côté de la côte is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.37:1. A prefatory text card discloses this was sourced off the original 35mm negative and scanned in 2K. The results are pretty ravishing, with some really nicely variant tones in the blue and green ranges and Varda's camera explores the seaside. Detail levels are generally excellent throughout, though as with O saisons, ô châteaux , she often frames things midrange, probably in order to get as much beautiful scenery as she can in any given shot. There are some very minor density fluctuations, but nothing that I personally found problematic in any significant way. Grain looks natural throughout and encounters no resolution issues whatsoever.
Many of the shorts in this collection feature only lossy audio, and Du côté de la côte has only a Dolby Digital Mono track. The ubiquity of undemanding elements like narration probably make that a bit more palatable than it might otherwise be, and all of the voiceover sounds fine. The short features a score by the legendary Georges Delerue which also sounds fine, though of course it probably would have sounded considerably better in a lossless setting. Optional English subtitles are provided.
Du côté de la côte is a visually ravishing piece that is also often rather bitingly humorous. It's a great example of Varda finding her "voice" in an unexpected idiom, and it makes for an appealing double feature with O saisons, ô châteaux, especially to see how Varda approached "travelogue" documentaries pretty radically differently depending on her goals. Video is gorgeous, but there's only lossy audio on this release.
(Still not reliable for this title)
Ydessa, the Bears and etc.
2004
1964
Réponse de femmes: Notre corps, notre sexe / Women Reply: Our Bodies, Our Sex
1975
1958
The So-Called Caryatids
1984
1982
1966
L'univers de Jacques Demy
1995
Les glaneurs et la glaneuse... deux ans après
2002
Agnès Varda: From Here to There
2011
You've Got Beautiful Stairs, You Know
1986
1984
2015
1976
Les demoiselles ont eu 25 ans
1993
2003
Oncle Yanco
1967
1968
Varda par Agnès
2019
Mural Murals
1981