6.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
A tough cop teams up with a professional skydiver to capture a renegade computer hacker on the run from the law.
Starring: Wesley Snipes, Gary Busey, Yancy Butler, Michael Jeter, Corin Nemec| Thriller | Uncertain |
| Action | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.37:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 5.0 | |
| Extras | 3.5 | |
| Overall | 4.5 |
1994 was a big year for action movies involving skydiving. Sure, there was 1991’s “Point Break,” which did something special during its aerial ballet sequences, but three years later, two studios elected to release skydiving films within months of each other. “Terminal Velocity” arrived first, becoming part of Hollywood’s weird obsession to make Charlie Sheen a heroic cinematic presence. “Drop Zone” was part two of the genre experiment, returning Wesley Snipes to action figure status after the unexpected success of 1992’s “Passenger 57,” sending him into the sky once again as a U.S. Marshal hunting for a team of criminals trying to make a mess of DEA work in Florida. There should be a lot of fun here, especially with Snipes in badass mode, but “Drop Zone” visibly struggles at times under the supervision of director John Badham, who’s not the right fit for material that desperately needs a more aggressive approach.


Screencaps are taken from the Blu-ray.
"Drop Zone" was previously issued on Blu-ray in 2010,
and is now available in a UHD release, listed as "newly restored from its original camera negative." The movie is a vibrantly shot endeavor, making full
use of its Floridian locations, and color is wonderful throughout the viewing experience. The brightness of blue skies and greenery is sustained, joined
by varied hues on costuming, which favor bold pinks and yellows. Primaries are hearty around town tours and computer readouts, while cooler hues
register as intended during building infiltration sequences. Skin tones are mostly natural, with some redness here and there. Detail is strong, examining
fibrous costuming, including cotton-y casual wear and heavier skydiving gear. Exteriors are dimensional, exploring the locations and the skies. Interiors
maintain depth and textures, offering inspection of decorative additions. Blacks are deep, preserving evening activity and shadow play. Highlights are
tasteful. Grain is fine and film-like, save for a scene around the 20:00 mark, where it freezes up, likely due to the production's technical limitations.
Source is in good condition.

The 5.1 DTS-HD MA offers an active listening event for "Drop Zone." Dialogue exchanges are fresh, securing performance choices and inadvertently identifying the extent of ADR used on picture. Scoring supports with crisp instrumentation on synth and guitar additions. Soundtrack selections supply clear vocals. Atmospherics are inviting, examining crowd bustle and midair activity. Surrounds also play with panning effects during plane flybys, joined by moments of separation. Musical moods also go circular. Low-end is alert, keeping up with the weight of engines and fireworks.


"Drop Zone" is often too cartoonish, as Badham is trying to craft a studio action film while the premise demands a grittier sense of danger. Hans Zimmer goes overboard with his melodramatic music for the endeavor, and Snipes vs. Busey isn't exactly a thrilling showdown of actors, though perhaps the former is aware of his employment situation, as the star leaves his sunglasses on for a good chunk of the movie (even while indoors), committing the ultimate thespian sin. "Drop Zone" is a mixed bag overall, clearly scoring its intended reaction from skydiving sequences and general action cinema moves from the 1990s, but it's hardly memorable work, and Badham, while making a glossy feature with visual skill, doesn't have the inspiration to keep it surprising, which a Wesley Snipes skydiving action movie co-starring Gary Busey and Michael Jeter should be.

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