Rating summary
Movie | | 3.5 |
Video | | 4.5 |
Audio | | 4.0 |
Extras | | 3.0 |
Overall | | 4.0 |
Draft Day Blu-ray Movie Review
Touchdown or fumble?
Reviewed by Jeffrey Kauffman August 29, 2014
Kevin Costner experienced several of his biggest successes, as well as some of his most memorable roles, in a series of sports related films like Bull Durham, Field of Dreams, and Tin Cup, and so on one level it’s hardly surprising to see him returning to the
athletic field for Draft Day. But like an aging jock trying to reclaim the glory days of yore, Costner isn’t quite able to capture the ebullience
and swagger of youth. But you know what? That’s largely a good thing in the patently formulaic but just as undeniably entertaining Draft
Day, a film that literally counts down to that magical moment (for football fans, anyway) when the National Football League celebrates its annual
ritual of inducting college recruits into the fold. The film probably saddles focal character Sonny Weaver, Jr. (Kevin Costner) with a few too many
simultaneous personal and professional crises at one time, but there’s a playfulness to Draft Day that may make the film surprisingly
accessible even to those who care not one whit about penalty yards, sacks or PAT conversions.
Those who haven’t grown up with a local major league sports team (whatever the sport) sometimes find it hard to understand the rabid nature of
some fans. Fans are actually only a tangential element in
Draft Day, albeit one that plays an important part as the film careens toward its
hectic climax. Instead
Draft Day concentrates on putative insiders, characters like Weaver, General Manager for the Cleveland Browns,
his
pregnant girlfriend Ali Parker (Jennifer Garner), the Browns’ number cruncher in charge of monitoring salary cap requirements, and Vince Penn
(Denis Leary), the Browns’ newish coach who continually
butts
heads with Weaver. In just one of
several melodramatic subplots winding through this probably overstuffed entry, Weaver’s father was
the
ex-coach of the Browns, and one of junior’s first tasks as General Manager was to fire his Dad. The film begins in the wake of the elder Weaver’s
death the week previously, casting a pall on what is typically an ebullient if intense time in the world of professional football.
While some of
Draft Day might be too inside baseball (to horribly mix sports metaphors), the screenplay by Rajiv Joseph and Scott
Rothman shies away from too much specific technical information, doling out the broad outlines of what’s at stake in just the first few minutes of
the film. The leading contender to be the number one draft pick is Heisman winner and University of Wisconsin quarterback Bo Callahan (Josh
Pence). That pick is a foregone conclusion, and therefore the Seattle Seahawks, sitting in pole position (there go those mixed metaphors again),
are expected to snatch up Callahan when they’re first at bat (sorry, it’s bound to stop sooner or later). Weaver, sitting in a forlorn seventh draft
position, knows he has no chance of getting a player of Callahan’s abilities, and when team owner Anthony Molina (Frank Langella) tells Weaver to
“make a splash,” there’s only so much the hapless GM can really offer to do.
However, Weaver’s been holding his cards close to his vest (poker’s not a sport, is it?). An early morning offer from Seahawks General Manager
Tom Michaels (Patrick St. Esprit) has offered to trade Weaver this year’s first round pick for Weaver’s next
three first round picks. Weaver
initially demurs, but after Molina’s not too subtly veiled threat, he goes ahead, setting a quirky aggregation of plot points in motion. While Ali
works the numbers to make sure picking Callahan won’t put them over the team’s salary cap, Weaver starts digging into Callahan’s past,
wondering why the Seahawks gave up their golden boy so easily. In the meantime, Weaver is dealing with entreaties by other hopeful college
athletes who are more or less begging to be chosen.
Comparisons to
Moneyball are probably inevitable with
Draft Day, for both films want to expose the inner workings of major league sports, especially with regard to how to build a winning team.
Moneyball is probably the more poetic of the two films, but despite
Draft Day’s relatively more prosaic quality, my hunch is some
might end up caring about Weaver more than they did about Brad Pitt’s Billy Beane. The ironic thing here is that in
Moneyball, Beane and
his team were analyzing things according to a quantifiable metric, certainly one of the most prosaic activities imaginable. By contrast, Weaver
works entirely at the instinctual level, so much so that his questioning of Callahan’s integrity starts to grate on everyone from Molina on down. But
this may also be why the character resonates so deeply—he’s a man of emotion, and that comes through quite clearly in Costner’s unforced but
forceful performance.
While Weaver is arguably the only truly fully fleshed out character in the film, the screenplay is able to offer vignettes involving an almost ungainly
amount of supporting characters that actually help to quickly define them. Jennifer Garner’s Ali is really little more than the stereotypical girlfriend
wanting a commitment (especially now that she’s pregnant), but she brings an unexpected depth and nuance to the role, offering a calm center to
counter Weaver’s more volatile nature. Ellen Burstyn is fantastic in a couple of quite short scenes as Weaver’s mother. The first scene is played
resolutely for laughs, when a rogue contender for Weaver’s choice tweets a not very well kept secret, but the second, a showdown between
Weaver and his mom over his Dad’s funeral arrangements, is decidedly dramatic and provides both actors a fine moment to showcase their skills.
The film is filled (again, almost overstuffed) with fine supporting work from Chadwick Boseman as a running back with a shaded past, Langella as
the imperious team owner, and a surprisingly effective Sean Combs as Callahan’s agent. The film also offer brief but enjoyable cameos by a glut
of actors including Sam Elliott and Rosanna Arquette, as well as many real life athletes and sports journalists.
Draft Day Blu-ray Movie, Video Quality
Draft Day is presented on Blu-ray courtesy of Summit Entertainment and Lionsgate Films with an AVC encoded 1080p transfer in 2.40:1. Shot
digitally with the Arri Alexa, the film offers a whirlwind tour of several cities that sport NFL franchises, and director Ivan Reitman keeps things moving
along briskly by introducing these locales through their football stadiums and superimposed team logos (the franchise "produce placement" in this film
is truly astounding). Reitman also plays fast and loose with cinematic tropes like split screen by having participants in one "box" poke through into a
neighbor's (see screenshot 3 for an example). These bells and whistles add some verve to the proceedings but are frankly unneeded, for the look of
the basic narrative sequences here is incredibly sharp and nicely detailed. Colors are very accurate and are very nicely saturated. Though Reitman
opts for midrange shots more than extreme close-ups, fine detail is often quite commendable. Depth of field is also excellent in many outdoor shots.
Contrast is consistent and there are no issues with compression artifacts or other distractions.
Draft Day Blu-ray Movie, Audio Quality
Draft Day's lossless DTS-HD Master Audio 5.1 mix is nicely immersive throughout, with well done surround placement that capably recreates
the increasing chaos of the Browns' management offices as draft day approaches. Quieter dialogue scenes offer a narrower soundstage but similarly
excellent fidelity. There are no problems of any kind to report on this track.
Draft Day Blu-ray Movie, Special Features and Extras
- On the Clock: The Making of Draft Day (1080p; 59:38) is split into too cutely named Pre Season and Post
Season featurettes, but it has some excellent interviews and a look at the production.
- Welcome to Primetime (1080p; 9:49) gives some background on the draft.
- Audio Commentary with Writers Rajiv Joseph and Scott Rothman. This is a little bit on the halting side and also has its fair share of "now
we're seeing" moments, but these two obviously have a very deep connection to the subject (Joseph is evidently from Cleveland), and that enthusiasm
comes through quite clearly.
- Deleted Scenes (1080p; 8:36)
- Theatrical Trailer (1080p; 2:32)
Draft Day Blu-ray Movie, Overall Score and Recommendation
I'm not a particularly rabid football fan, but I found myself surprisingly engaged by Draft Day. This is a resolutely old fashioned piece of
filmcraft, one that sets a series of seemingly insurmountable obstacles in front of its harried hero and then applauds as he overcomes them one by
one. While the film arguably could have benefitted from fewer monumental crises confronting Sonny all at once, Reitman keeps things moving breezily
along and Costner is effective in communicating Sonny's stress and resilience. Technical merits here are great, and Draft Day comes
Recommended.