7.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Spanish language version of the legendary vampire staking his claim on a British estate in search of new blood filmed in the same sets at night as Bela Lugosi's <i>Dracula</i> with a different cast and crew.
Starring: Carlos Villarías, Lupita Tovar, Eduardo Arozamena (I), Pablo Álvarez Rubio, Barry NortonHorror | 100% |
Drama | 12% |
Fantasy | 5% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.35:1
Original aspect ratio: 1.2:1
Spanish: DTS-HD Master Audio 2.0 Mono
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.5 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 2.0 | |
Overall | 3.5 |
Take a moment and imagine what modern horror would be without Universal Pictures. Without founder Carl Laemmle and his vision for the future of cinema, or his son Carl Laemmle Jr., who inherited the keys to the studio kingdom in 1928, when talkies were rapidly displacing silent films and promising groundbreaking new strides in moviemaking and the movie-going experience. Without early horror pioneers like Tod Browning, James Whales, Karl Freund, George Waggner or Jack Arnold. Without iconic creature actors Bela Lugosi, Boris Karloff, Claude Rains, Lon Chaney, Jr., Elsa Lanchester or Ben Chapman. Without Dracula, the indispensable 1931 classic that left a more lasting mark on vampire movies and lore than any other vampire film before or after (save Nosferatu). Or Frankenstein, which pushed boundaries, shocked audiences and has been received with overwhelming enthusiasm ever since. The Mummy, bold in its atmosphere and unforgettable in its tragic romance. The Invisible Man, which features some of the most astonishing special effects and perhaps one of the most unnerving depictions of mounting madness of the era. The Bride of Frankenstein, a complex, wickedly funny, altogether unpredictable sequel that in many regards surpasses its predecessor. The Wolf Man, a once-chilling character drama that examines the frailty of man and the beast within. Phantom of the Opera, though more a twisted love story than a traditional horror picture, a film that nevertheless caused some theaters to stock smelling salts in in the event that a moviegoer fainted upon the removal of the Phantom's mask. Or Creature from the Black Lagoon, which frightened audiences above the water and below with a scaly monster unlike any they had seen before. Needless to say, modern horror, and really the genre in whole, would be completely different than what we know.
Alas, Drácula's restoration isn't as consistent as that of Dracula, although for good reason. Some of the original Drácula negatives have become terribly degraded and damaged over the years, leaving the preservation and restoration team at Universal with an extremely difficult task. In most scenes, it was a challenge they happily accepted, producing results akin to their incredible work on Dracula. A few scenes, though, were beyond seamless repair, meaning everything from tears to vertical lines to other source-based anomalies are still very much present and accounted for. It isn't too distracting, particularly since the 1080p/AVC-encoded presentation is technically sound, but it does come as something of a disappointment; not with Universal, but with the realities of the situation. Fortunately, every other aspect of the image is thoroughly impressive, from the level of detail that's been preserved to the crisp edges, refined grain, rich black levels, lovely midrange grays and overall impact of the picture. Perfection would have been preferred, of course, but considering the many, many obstacles the Universal team had to surmount, the presentation is, for better or worse, something of a miracle.
Universal's two-channel DTS-HD Master Audio Mono Drácula track is much more comparable to its American counterpart, and quite remarkable on the whole. Its noise floor is a bit hard to ignore, sure. But it's important to keep in mind that prior to the completion of the Drácula and Dracula restorations, the original audio sources were hobbled by even nastier noise floors, complete with harsh harsh hissing that took a toll on the clarity of the dialogue and effects. That clarity has been restored and rejuvenated, dramatically so, despite the fact that the results aren't exactly ideal. That said, there's little, if anything, the film preservationists working on the project could have done to improve the audio further. Theirs was a legitimate case of tough, lesser of two evils decision making. To their credit, they chose wisely. Cinephiles and purists will be more than willing to ignore the noise floor -- as they should -- especially when it's really the only price to pay for what is easily the best the film has ever sounded.
Only four extras devote time to Drácula, although film historian David J. Skal touches briefly on its existence and the differences between the two versions in his audio commentary.
It would be all too easy to skip right over Drácula, assuming it to be nothing more than a Spanish dub of the original Universal horror classic. But don't be in such a hurry. Drácula is a more remarkable film than Dracula, with richer performances, more engrossing storytelling and a firmer grasp on Bram Stoker's characters and text. Its restoration isn't as ideal, no, but its technical video transfer is quite strong and its DTS-HD Master Audio mono mix is excellent. Don't pass this one by. Comparing Drácula to Dracula is worth the price of admission, and one of the more rewarding studies of early horror you're likely to undertake.
(Still not reliable for this title)
Includes "Drácula"
1931
1936
1941
1933
1943
1931
1932
1935
1935
1939
1943
Dracula / Warner Archive Collection
1958
Collector's Edition
1970
1972
30th Anniversary
1992
1968
2012
1945
1944
2012