8.4 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Traudl Junge, the final secretary for Adolf Hitler, tells of the Nazi dictator's final days in his Berlin bunker at the end of WWII.
Starring: Bruno Ganz, Alexandra Maria Lara, Corinna Harfouch, Ulrich Matthes, Juliane KöhlerDrama | 100% |
War | 91% |
History | 82% |
Biography | 46% |
Foreign | 30% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
German: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
German: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo
English
25GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 5.0 | |
Video | 3.5 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 3.5 |
Before Oliver Hirschbiegel's third feature Downfall (Der Untergang, 2004) was met with critical acclaim the world over, I remember reading about a two-part TV miniseries titled Hitler: The Rise of Evil in Entertainment Weekly. Robert Carlyle played the titular Führer and because the Scot is a very fine actor, I was surprised that the EW critic gave the CBS production an "F." Was it due to the way Carlyle portrayed Hitler or weaknesses in the teleplay? A combination of the two seems likely. There are have been so many film and TV incarnations of Hitler that either paint him as a fiendish madman or give a parodic caricature that he's become a mythologized construct. In Downfall, Hirschbiegel envisages him and his collaborators in three-dimensional terms. As played by the Swiss Bruno Ganz, Hitler is a dead-serious despot and tragic figure. There are moments in the film where Hitler erupts with bouts of utter senility. On other occasions, such as when he's dictating a speech to secretarial candidate Traudl Junge (Alexandra Maria Lara), he's polite, quiet, and open about his own flaws. In other scenes, the audience sees him gently petting his German Shepherd, holding and interacting with the Goebbels' children, and bequeathing the Hitler Youth with pins or medals for their loyal and brave service. Renowned film critic Michael Wilmington, who gave Downfall four out of four stars, encapsulated a common objection that his colleagues had about the film: "In re-creating the tale so intimately, though, the filmmakers have been charged with unwisely humanizing Hitler and other Nazis and making it too possible to sympathize with them." But this is precisely Hirschbiegel's point: to depict Hitler and his followers as human beings, unmask them, and reveal the monstrous side in all of them.
The Führer is not a happy man.
Downfall first appeared on Blu-ray in the UK during the early years of the high-def format. My colleague Dr. Svet Atanasov reviewed Momentum Pictures' VC-1 encoded BD-50 a decade ago. Shout Select has made this war epic number forty-three in the sub-label's series. The studio has made a new MPEG-4 encode but like Momentum's release, the transfer is struck from a dated master. Similarly, the film is zoomed in and appears in the open-matted aspect ratio of 1.78:1, which deviates from the original theatrical's presentation of 1.85:1. The only DVD and Blu-ray to display Downfall in its OAR is Holland-based A-Film/Benelux and the BD only has Dutch and French subtitles. Fortunately, unlike Momentum, the white English subtitles on the Shout are optional and not embedded into the picture. Shout's transfer is appropriately dark with an olive green tinge (see the screen captures throughout). The image taken from this 2K digital intermediate is very clean but therein lies the problem. It looks too polished.Downfall was shot on 35mm Kodak film, not DV. I only noticed approximately three scenes where the grain truly sticks out. Other BD distributors have applied DNR but probably not as much as Shout has here. Viewers overly sensitive to the grain removal here may want to grab Alliance's Blu-ray/DVD combo, which carries English and French subs. Shout has encoded the main feature with an average video bitrate of 26999 kbps.
The 155-minute international theatrical cut comes with twenty scene selections.
Shout supplies a German DTS-HD Master Audio 5.1 Surround mix (2056 kbps, 24-bit) and a downsampled DTS-HD Master Audio 2.0 stereo track (1602 kbps, 24-bit). While the primary sound track is spoken in German, there's also some Russian and Hungarian dialogue. Spoken words are enunciated clearly and crisply. The 5.1 track is rousing and robust with thunderous bass emanating from LFE and the surrounds. The vrooms from the Daimler cars produce nice horizontal acoustics from speaker to speaker as vehicles whisk by on the street. Explosions hit the earth with thunderous roars. Composer Stephan Zacharias contributes a lugubrious and moving score that demonstrates good range on the rear channels. Additionally, there are four period/classical pieces.
The optional English subs are not too thick or large in shape or style. They're legible and easy to read.
Shout has ported over all of the extra features that Momentum Pictures includes on its edition ten years earlier. They are all presented in German with burned-in English subtitles (which use the British spelling). Unfortunately, Shout hasn't produced any new bonus materials.
There are two important components that preclude this "Collector's Edition" of Downfall from being the definitive package. First, the additional grain that was scrubbed from the source used for this transfer is a hindrance. Second, the 178-minute "Extended TV Version" that German-based Highlight Video put on a two-disc Premium Edition isn't included here. I remember when HV first made the DVD announcement and how much I wanted to get it. That transfer, however, looked blurry with video noise. It also only has German SDH for the EV. Hopefully, another label will pick it up and release both cuts. Despite Shout's degraining, the uncompressed 5.1 mix sounds fantastic and I don't think Downfall has sounded any better than this on home video. The movie gets my HIGHEST RECOMMENDATION and the CE receives a MODERATE ENDORSEMENT mainly due to the optional subs and dynamically presented lossless sound track. If you were to own another BD of Downfall, I'd lean towards the Canadian release.
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