8.4 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Set after the events of TITANS, the Doom Patrol – consisting of Robotman, Negative Man, Elasti-Woman, and Crazy Jane, and led by Dr. Niles Caulder / Chief – receive a mission from Cyborg that they cannot ignore and will change their lives.
Starring: Matt Bomer, April Bowlby, Diane Guerrero, Joivan Wade, Brendan FraserComic book | 100% |
Action | 25% |
Adventure | 6% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.20:1
Original aspect ratio: 2.20:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English SDH, Spanish
Blu-ray Disc
Three-disc set (3 BDs)
Digital copy
Region free
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 1.5 | |
Overall | 4.0 |
Despite first appearing in comics several months before The X-Men, DC's Doom Patrol is sometimes regarded as a store brand version of that much more well-known superhero family -- basically, the Hydrox to Marvel's Oreo. Either way, these two comics represented opposite sides of the same cookie: both starred diverse super-humans rescued from a society that refused to accept them at face value, but Doom Patrol went a step further by making its titular characters resent their own abilities. Though created by writers Arnold Drake and Bob Haney in 1963 (with obvious creative input by artist Bruno Premiani), Doom Patrol is perhaps best known for its complete takeover by celebrated Scottish writer Grant Morrison in 1989 after his Eisner Award-nominated run on DC's floundering Animal Man. Morrison shook up Doom Patrol considerably, offering a surreal take on the series while introducing bizarre new characters such as Flex Mentallo, Danny the Street, and Crazy Jane, whose multiple personalities each had their own unique superpower.
Considering the franchise's long lifespan and Morrison's deliriously whacked-out mythology, it's no surprise that these 15 episodes are anything but light entertainment. There's a lot to unpack and, if you're not familiar with the source material, chances are good that you'll spend the first several episodes scratching your head in disbelief and confusion. Yet Doom Patrol remains fiercely entertaining and surprisingly approachable after that initial learning curve, with each of its 15 episodes either building upon the last or thumbing its nose at all that rubbish. Our titular team is composed (composted?) of Cliff Steele AKA Robotman (Brendan Fraser, in a much-heralded return to glory), a former NASCAR driver and accident victim whose brain survives in a clunky, metallic shell; Negative Man (Matt Bomer), scarred for life after a cosmic entity entered his body during a flight mission; Rita Farr (April Bowlby), a former actress disfigured during an on-set accident who now literally struggles to keep her shape; Vic Stone (Joivan Wade), a technology-enhanced vigilante with a rich dad; and finally, Morrison's own "Crazy" Jane (Diane Guerrero), she of 64 distinct personalities and the unpredictable powers that go with them. They're led by Dr. Niles Caulder AKA "Chief" (Timothy Dalton), their de facto father figure who disappears, forming the basis of Season One's primary arc. Further weaving the broken narrative together is "Mr. Nobody" (Alan Tudyk), a reality (and fourth-wall) breaking super-villain.
Performances are excellent across the board, whether human or hiding behind a mask; though it's tempting to call Brendan Fraser's comeback the
show's biggest highlight (or in turn, lay heaps of praise on Diane Guerrero for deftly pulling off a much more difficult role), I can't pick a favorite in
good conscience. Everyone brings something different to the table and lends a certain humanity to their character, often balancing equal parts
anger, frustration, and pathos with no shortage of self-deprecating humor along the way. Doom Patrol is a pitch-black comedy first and
foremost, never afraid to poke fun at superhero conventions and clichés while kinda falling victim to several along the way, and maybe on purpose.
From start to finish, this first season is clearly a labor of love, made by fans for fans to wade through its offbeat, anything-goes
approach to storytelling. And luckily, it won't end up being "The Complete Series": Doom Patrol was recently renewed for a second season
on DC Universe, allowing some of this season's loosest threads and dangling bits to get tied up sometime next year...or ignored completely. I'll
watch either way.
Presented in an unconventional but nicely-framed 2.20:1 aspect ratio (which, as far as I know, is how the series was presented on DC Universe), Doom Patrol looks quite stunning on Blu-ray. These 1080p transfers offer a lot of support for the show's wildly varying and inventive visuals, which range from candy-coated primary colors to moody earth tones, sometimes brightly-lit but otherwise bathed in thick shadows. Skin tones and textures are a real highlight, especially the titular group's costumes and occasional superpower displays. Contrast levels are similarly strong with very few instances of banding, while only a few stray signs of compression artifacts could be found along the way -- this is largely due to the wise decision to split all 15 episodes onto three dual-layered discs, instead of only two as originally announced. For obvious reasons, I sincerely doubt that any streaming version can easily compete with what we get here: a strong, stable image that handles all of Doom Patrol's visual weirdness with energy to spare.
Not surprisingly, the default DTS-HD 5.1 Master Audio mix is just as impressive, effectively balancing the surreal action and adventure with much more reserved dialogue-driven moments. Everything comes off without a hitch: speech is often anchored up front, superpower displays and other magic tricks make great use of surrounds and channel separation, epic moments fire on all cylinders, the low end gets a few workouts, and the music cues by Clint Mansell and Kevin Kiner are balanced nicely with very little need for sudden volume adjustment. It's a straightforward but very effective track that, like the show itself, isn't afraid to get a little creative when the situation demands it.
Optional English (SDH) subtitles are included during each episode and all applicable bonus features; these are formatted nicely with no obvious sync issues and fit right within the 2.20:1 frame.
Doom Patrol: Season One arrives in a standard-width keepcase with an inner hinge, Digital Copy redemption code, and matching slipbox. It's a very attractive and space-saving design. On-disc bonus features are limited to a few odds and ends that don't add a great deal of value but are still worth a once-over, with the most blatant miss being the Titans first-season episode "Doom Patrol", where our heroes first appeared. Maybe next time?
Doom Patrol: Season One was a breakout hit on DC Universe and, for many,
the only best reason to subscribe to that streaming service. It's a subversive slice of superhero TV that gleefully carves out its own territory
in an over-saturated genre, bolstered by interesting characters and a wonderfully unpredictable atmosphere that more traditional "channels" just
couldn't get away with. With a second season slated for 2020, there's still plenty of time to get caught up...and thanks to Warner Bros., you can just
buy this series on Blu-ray and make things easy. Although light on extras, the rock-solid A/V presentation offers plenty of support for its greatest
strength: the episodes themselves, which are worth digging through more than once. Highly recommended to established fans and first-timers alike,
although anyone completely unfamiliar with Grant Morrison's original run on the book might want to proceed with caution.
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