6.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
In this horror movie, a dutiful grand-daughter goes home to take care of her elderly grandmother. Once there, she finds herself trapped inside the house with a homicidal maniac.
Starring: Susan Bracken (III), Larry O'Dwyer, Gene Ross, James N. Harrell, Hugh Feagin| Horror | 100% |
| Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 (48kHz, 16-bit)
BDInfo
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 2.5 | |
| Audio | 3.0 | |
| Extras | 2.0 | |
| Overall | 2.0 |
Note: This film is available as part of
S.F. Brownrigg Grindhouse Double
Feature.
My hunch is even those who were around and attended drive-in movies during the 1970s may not instantly recognize the name of S.F. Brownrigg,
even if one of the two films included on this double feature Blu-ray,
Don't Look in the Basement, was evidently
regularly paired with Wes Craven’s now legendary
The Last House on the Left, and in fact
shared (stole?) some of its
same advertising techniques, including the “mantra advice” to keep repeating “it’s only a movie. . .it’s only a movie”. Both Don’t Look in the
Basement and its sibling Don’t Open the Door have some rather unexpectedly effective moments, but they both suffer from an
obvious
lack of budget and both fall prey to certain inadequacies in both writing and acting departments. But as commentators David Del Valle and David
Decoteau mention in one of the supplements included on this Blu-ray disc, how much teens were actually watching the screens at drive-
ins,
especially on “event” occasions where theater owners programmed an entire dusk to dawn array of B- (or lesser) films to keep kids there and
buying
popcorn, may be a debatable point.


Both films on this release are presented on Blu-ray courtesy of VCI and MVD Visual with AVC encoded 1080p transfers in 1.78:1. The back cover of
this release touts a "new 2K restoration" of Don't Open the Door and a "new 1080p restoration" of Don't Look in the Basement. I
wish I had better
news to report with regard to either of these films, but both seem to have fallen prey to VCI's continuing off kilter looking transfers and/or encodes.
The good news here is that there is grain in both of these presentations, and the palette in both of them is relatively nicely suffused, though
Don't Open the Door looked slightly pinkish to my eyes. Both films are quite soft looking, and there's some peculiar anamorphic anomalies in
Don't Look in the Basement where the middle of the frame looks oddly squeezed, but that may have been a malfunctioning lens during
production (I don't have other home media releases of either of these titles, and so can't offer an opinion as to whether this particular peculiarity is
"new" to this release, but some of our diehard horror members will
probably be able to in our Forum). Considering some of the damage seen in the trailers that VCI provides as supplements, they obviously had their
hands full if the elements they utilized had the same age related wear and tear, and fans should appreciate the fact that there are no huge tears,
scratches or emulsion issues. But even with the grain in evidence, both of these transfers look rather waxy and smooth and not particularly filmic.
Don't Open the Door arguably looks a bit more natural and less "digitized" (for want of a better term), but some may feel it's a pretty
incremental difference (I've slightly upped the video score on that film to indicate the difference).
Note: Kind of weirdly, Don't Open the Door starts with an old MPAA "Preview" card in green.

Both films feature decent sounding LPCM 2.0 mono tracks that capably render dialogue, effects and score without the same kind of variabilities in quality that the video presentations display. Both films have somewhat anachronistic scores by Robert Farrar, and both can sound just slightly bright at times. While fidelity is fine, neither of these tracks will probably knock any audiophile socks off, but similarly they shouldn't provide too much to worry about, either.

Both films included with this release share a disc, and so not every extra on the disc pertains specifically to one film.

Don't Open the Door has arguably (marginally) better video than its sibling, but that may be damning with faint praise. I once again highly recommend fans interested in this release parse the screenshots included with this review to see how they feel about the video presentation. The film itself has a few scattered effective moments, but perhaps not enough to sustain even casual interest.
(Still not reliable for this title)

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