6.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A disturbed young man who was burned as a child by his sadistic mother stalks women with a flamethrower.
Starring: Dan Grimaldi, Robert Carnegie, Johanna Brushay, Darcy Shean, Mary Ann ChinnHorror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: LPCM Mono
English: DTS-HD Master Audio 2.0 Mono
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 5.0 | |
Overall | 4.0 |
The shadow of Alfred Hitchcock's Psycho looms pretty large over Don't Go in the House, though kind of interestingly in that regard, no studio tour such as the one offered at Universal will allow visitors to see a supposed imposing Gothic mansion on a backlot, since Don't Go in the House's titular edifice is an actual New Jersey building called the Strauss Mansion, which has evidently subsequently been turned into a museum. The mansion (see screenshot 2) is obviously more than a bit reminiscent of the "house on the hill" overlooking the Bates Motel, but Don't Go in the House has other tethers to the Hitchcock masterpiece, including an inhibited focal character, in this case a guy named Donny Kohler (Dan Grimaldi), who has a somewhat convoluted history with his (no real spoiler here, since it's revealed openly in the film's first few minutes) deceased mother. There are some differences, of course, with one of the chief ones being that due to abuse suffered at the hands of his mother when he was a child, Donny has turned into something of a pyromaniac, though you perhaps would be forgiven for not knowing that considering an early vignette in the film, when a coworker of Donny's at an incineration facility accidentally sets himself on fire, and Donny is more or less paralyzed, drawing the umbrage of his supervisor, who understandably is outraged that Donny just stood there while the coworker was up in flames (the coworker's situation is actually dealt with quickly and he survives).
Note: Screenshots 1 through 10 are from the Theatrical Cut, screenshots 11 through 14 are from the Television Cut, and screenshots 15
through 18 are from the Integral Cut.
Don't Go in the House is presented on Blu-ray courtesy of Severin Films with all three cuts featuring AVC encoded 1080p transfers in 1.78:1.
The back cover of this release states this features "a new 2K scan from the original negative", though it fails to differentiate between the three versions
and any conforming and/or cobbling together from different sources that might have been needed. That said, as can be pretty readily made out by
comparing the different versions Severin is offering, there's little if any difference between the three, but that
said, there are some noticeable differences from the Scorpion Releasing edition, at least based on the obviously fallible method of screenshot
comparisons. The Severin release looks at least marginally brighter to my eyes, with an arguably slightly warmer palette that can emphasize things like
ruddy reds more than icy blues. There are occasional moments in the Severin release that don't seem to have the same easily apparent grain structure
as the Scorpion release (compare screenshots of the mansion between the two releases and pay attention to the sky), but that said, there are
other moments where the Severin release may have a more easily discernable grain field (compare the screenshots of a distraught
Donny with his hand over his mouth). Detail levels are generally commendable throughout all three versions, but all three do have occasional pretty
rough looking patches (see screenshots 8 and 9 for a couple of examples). There are some minor signs of age related wear and tear in the form of
rather small nicks and scratches, and a few flecks. Some may feel this may wander down toward 3.5 territory at times, but on the whole, the transfers
here are solid, organic looking and well detailed.
Kind of interestingly, the Theatrical Cut and Television Cut feature LPCM Mono audio, while the Integral Cut boasts a DTS-HD Master Audio 2.0 Mono track. I really didn't notice much if any difference between them, and while there are some of the age related issues that Brian mentions in his review of the Scorpion Releasing version, I didn't find them overly distracting or problematic. Dialogue, score and effects are all rendered with good fidelity, if at times kind of narrow dynamic range. Optional English subtitles are available.
Disc One
- UK Theatrical (HD; 1:34)
- UK Teaser (HD; 00:41)
- German Theatrical (HD; 1:53)
- US Theatrical (HD; 1:56)
- US TV Spots (HD; 1:46)
There's absolutely no doubt that Don't Go in the House won't be everyone's cup of chamomile tea, but the film has a really visceral energy and Grimaldi is superb in the lead. Thrower's deconstruction of a "woke" mentality overreacting to the film may chafe at some PC types' sensibility, but, really, when you get right down to it, couldn't any film featuring a "damsel in distress" be deemed "misogynistic" in some way? So, with caveats duly noted for those who may tend to be squeamish, and with an understanding that this Severin release offers generally secure technical merits and some outstanding supplements, Don't Go in the House comes Recommended.
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