7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A well-known woman politician receives a tape showing her son in a porno movie. She decides to hire a female detective to figure out who is trying to blackmail her.
Starring: Myriam Mézières, Françoise Giret, Hélène Surgère, Sonia Saviange, Jean-Christophe Bouvet| Erotic | Uncertain |
| Thriller | Uncertain |
| Drama | Uncertain |
| Comedy | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
French: DTS-HD Master Audio 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 4.0 | |
| Overall | 3.0 |
Considering this film's English language title, there's some fascinating sleight of hand briefly (as in very briefly) displayed in the opening credits of Don't Change Hands, where the film's original French title Change pas de main quickly and only momentarily morphs into Change pas demain, which changes the meaning to Don't Change Tomorrow. For you etymology geeks out there, there's some interesting history to bone (and/or phalanx, depending on appendage) up on, with the French word main (hand) deriving from Latin manus, though kind of hilariously if you go all the way back to Proto-Indo-European you arrive at (s)meh, which meant to beckon. That probably comical to modern day eyes meh turns up again when tracing demain (tomorrow) back to its literal roots, where in Proto-Indo-European meh evidently meant to ripen. That ultimately morphed into Latin's dē māne, which translates more or less to "in the morning". All of this is to say that there are probably hidden meanings abounding in Don't Change Hands, even if the basic story here is a somewhat tawdry tale of pornography and blackmail, which may therefore kind of ironically engender a "meh" response, at least from those who are jaded enough to not be shocked by some of what goes on in the film. That porn element made Don't Change Hands into something of a hard to find and/or see rarity, and Severin in fact states on the back cover of this release that this is the film's North American Blu-ray debut.


Don't Change Hands is presented on Blu-ray courtesy of Severin Films with an AVC encoded 1080p transfer in 1.66:1. The back cover of this release states this transfer was "scanned in 2K from the original camera negative". Considering the rarity of this title, and maybe even without considering the rarity of this title, this is often a pretty stunning looking transfer, one with a really beautifully suffused palette, some appealingly deep blacks and generally really nice looking detail levels. There are just a few interstitial moments where the image can suddenly degrade (aside and apart from the intentionally distressed 16mm porn material), and in fact I'm wondering if some of the (color) hardcore material may have been excised at some point, necessitating it being reintegrated into things. There are some minor signs of age related wear and tear, but nothing very debilitating. Grain resolves naturally for the bulk of the presentation, with just a few slightly noisy looking moments in some of the darkest material.

Don't Change Hands features a surprisingly spry sounding DTS-HD Master Audio 2.0 Mono track in the original French. The film is rife with some almost Cirque du Soleil-esque music, all of which sounds nicely full bodied. There aren't a ton of ambient environmental effects, though in the sound effects category, there are repeated gunshots which sound appropriately vibrant. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


Some of the supplements on this disc get into the rather curious history of Paul Vecchiali, though Vecchiali's actual motives for making this unabashedly strange mélange (if I may be permitted to incorporate a French term) may be as evanescent as some of the external referents and even plot points Don't Change Hands offers. The film itself is pretty obviously not going to be everyone's cup of tea (and/or THC, considering how drugged out much of the proceedings tend to be), and those with an aversion to full frontal male nudity, transvestites and porn adjacent material (and in fact just good, old fashioned porn material) should probably stay far, far away from this feature. Otherwise, for the braver viewer, while the film is probably too decidedly weird to be anything other than a curiosity, this release offers surprisingly secure technical merits and some outstanding supplements, for anyone who may be considering making a purchase.

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