5.5 | / 10 |
Users | 3.5 | |
Reviewer | 2.0 | |
Overall | 2.6 |
Three former convicts pull jobs and party together.
Starring: Nicolas Cage, Willem Dafoe, Christopher Matthew Cook, Louisa Krause, Magi AvilaThriller | 100% |
Crime | 88% |
Drama | 73% |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 1.5 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 2.0 |
Nicolas Cage and writer/director Paul Shrader were both unhappy with the result of their collaboration on 2014's Dying of the Light, which Schrader disowned after the studio took it from him during editing. When the pair reunited in 2015, Schrader made sure he had final cut, and he and Cage collaborated on reworking Matthew Wilder's script for Dog Eat Dog, loosely adapted from the novel by career-criminal-turned-author Edward Bunker (Straight Time). With no studio scapegoat, the actor and helmer have only themselves to blame for the dispirited mess they coughed up from a 25-day shoot with a crew composed of recent film school graduates.
According to the end credits, Dog Eat Dog was captured on Red. The cinematographer was Alexander Dynan, shooting his first feature. Image/RLJ's 1080p, AVC-encoded Blu-ray is a capable presentation of a digitally acquired feature, dutifully retaining Schrader's lurid colors and stylistic curlicues. Schrader has never been adept at visuals, and Dog Eat Dog is frequently an ugly movie, but that isn't the fault of the transfer. Detail, blacks and contrast are on a par with what one would expect from a digital feature shot on a tiny budget and a tight schedule.
Dog Eat Dog's lossless DTS-HD MA 5.1 soundtrack is adequate but nothing special, delivering the requisite volume and dynamic range for weapons fire, the occasional explosion and the heavy beat of strip-club muzak. Surround effects are minimal. The driving electronic score is by Deantoni Parks, who contributed to the soundtracks of Sympathy for Delicious and Criminal Activities.
Parts of Dog Eat Dog suggest that Schrader was reaching for a comedic tone, but his reach far
exceeds his grasp. The best one can say about the film is that it provided work experience for a
group of young crew members just starting their careers. It's best left as a line on a résumé. Not
recommended.
2013
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1991
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The Dirty Harry Collection
1973
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Ultimate Director's Cut
1979
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