6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A group of young musicians burglarizes a shop and they kill a man.
Starring: Wadeck Stanczak, Ann-Gisel Glass, Lucas BelvauxForeign | 100% |
Drama | 78% |
Music | 1% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
French: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 3.0 |
Note: This film is available as part of
The Early Films of Olivier Assayas.
Irma Vep is probably at least arguably the best known film by
Olivier Assayas, but as Assayas’ IMDb listing page makes clear, he has
bounteous writing and directing credits going back to the late seventies. In what might be thought of as the “halfway point” between Assayas’ first
credits and 1996’s Irma Vep, Arrow Video has aggregated two of Assayas’ efforts from the 1980s in The Early Films of Olivier
Assayas. Both Disorder, which came out in 1986 and was Assayas' first credit as a feature film writer and director, and Winter’s
Child, his second similar dual feature film writing and directing credit from 1989, offer intimate stories of psychological intrigue
and at times just the hint of danger. They’re still probably formative works, and if they’re at least intermittently viscerally compelling, they may be
more of a hit or miss property for some. That said, they may be of interest to
anyone who, after having seen Irma Vep, felt their appetites whetted for more from this (then?) nascent auteur.
Note: I'm beginning the reviews of both films in this set with some general information before moving on to comments about each
individual film.
Both titles in The Early Films of Olivier Assayas are presented on Blu-ray by Arrow Academy, an imprint of Arrow Video, with AVC encoded
1080p transfers in 1.85:1. Both films begin with brief text cards stating they've been digitally restored, without offering much of any further
information, and the insert booklet is similarly circumspect, offering only the following verbiage (which includes a couple of errors, as noted):
Disorder and Winter's Child has [sic] been digitally restored in 2K resolution from original film materials. Olivier Assayas supervised and approved the restorations. The films are presented in their original aspect ratios of 1.66:1 [sic], with original stereo sound [sic].This is one time when I wish Arrow's typically informative blurbs about the provenance of the transfers had been a little more concrete, as "original film materials" can mean just about anything, and while I'm not suggesting this actually is the case and am only mentioning it to provide a general idea of how both of these look, I'm kind of wondering if "original film materials" might include a CRI, as both of these films exhibit some of the strange toning and palette skewing that are often seen in transfers culled from a color reversal intermediate. I therefore recommend those interested to carefully parse the screenshots included with each review to get an idea of how these look.
Disorder features an LPCM Mono track in the original French (with a few lines in English along the way). The film is graced with a really beautiful score by Gabriel Yared, which emphasizes strings and which sounds nicely warm throughout the presentation. Some of the "rock" music is bit more hackneyed, but sounds fine as well. Dialogue is rendered cleanly and clearly throughout the presentation, and ambient effects, as in the opening rainstorm, or a later car crash, also reverberate with sufficient force.
Both films are presented on one disc by Arrow. The supplements on the disc are as follows:
- Olivier Assayas (1080p; 41:48). In French with English subtitles.
- Ann-Gisel Glass, Lucas Belvaux, Wadeck Stanczak, and Remi Martin (1080p; 18:02). In French with English subtitles.
Disorder has a fascinating opening act, but then the story just kind of dissipates into a morass of accusations and heated interchanges all spun out against the backdrop of a band trying to make it big in the music biz. It's all kind of strange, but Assayas fans may find the first half hour or so rather interesting, if not the rest of the film. Video is a bit inconsistent looking, but audio is fine, for those considering a purchase.
(Still not reliable for this title)
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