6.8 | / 10 |
Users | 4.0 | |
Reviewer | 4.5 | |
Overall | 4.0 |
A retired cop becomes a DJ/celebrity at the Blueberry Hill disco-- he's the "Disco Godfather!" All is well until his nephew flips out on a strange new drug that's sweeping the streets, called "angel dust," or PCP. Disco Godfather vows "to personally come down on the suckers that's producing this shit!" He takes to the streets, slaps drug dealers and even exposes a crooked cop that is covering for the dealers. In between, he still finds time to manage the Blueberry Hill and perform. "Put a little slide in yo' glide," he pleads to the patrons, "Put some weight on it!" Disco Godfather tracks down the kingpin that is behind all the angel dust production, but not before he is kidnapped and forced to inhale PCP through a gas mask!
Starring: Rudy Ray Moore, Carol Speed, Jerry Jones (I), Hawthorne James, Julius CarryCrime | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
German: Dolby Digital 2.0
French: Dolby Digital 2.0
BDInfo. German & French dubs are set-up options on disc.
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region free
Movie | 2.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 4.5 | |
Overall | 4.5 |
He pummeled bad guys and slayed paying audiences in “Dolemite,” became a god of fury in “The Human Tornado,” and battled Satan in “Petey Wheatstraw.” But all it took was a healthy dose of sincerity to help bring star Rudy Ray Moore to his knees, at least professionally. Setting aside goofball antics for a moment, Moore turns his attention to the plight of the inner city in “Disco Godfather,” which is dressed up in bedazzled jumpsuits, but really hopes to share with the audience a sobering look at the epidemic of PCP. Sure, some of Moore’s cinematic interests are represented here, including half-speed martial arts, but the majority of the film is devoted to the evils of drugs and the fight to free those hopelessly addicted to angel dust. “Disco Godfather” basically promises one viewing experience and delivers another, which would normally be a clever switcheroo. However, this one gets away from Moore in a hurry, who unwisely restrains himself to fit the real-world hero tone.
The AVC encoded image (1.85: aspect ratio) remains in line with the rest of the Rudy Ray Moore releases. Clarity reaches as far it can go in the focus-challenge picture, bringing out a satisfying level of detail that helps when picking up on the particulars of disco palaces, PCP freak-outs, and costuming, which retains all its fibrous texture. Close-ups also remain communicative, handling strange reactions and the feature's periodic flight into nightmare realms. Colors are pleasing, capably refreshed. Strong hues emerge from clothing and signage. Delineation is strong with limited lighting and evening sequences. Grain is fine and filmic. Source is in strong shape, but scratches and speckling are detected, along with a few rough reel changes.
The 2.0 DTS-HD MA sound mix is unexpectedly intense, opening the picture up with a relentless disco beat that often threatens dialogue exchanges during club visits, though this appears to be an inherent issue. Music remains loud throughout, maintaining adequate instrumentation and a full bottom. Performances remain intelligible, emerging with intended emphasis. The track isn't precise due to age, but atmospherics support celebratory outings, and sound effects are acceptable.
Moore's heart is in the right place, with "Disco Godfather" trying to impart an important message on the dangers of drugs and the ruination of lives. It means well, but a mission to educate viewers often takes over the feature, leaving traditional Moore interests few and far between, including a sense of humor, which is largely missing from effort. Moore doesn't make much time for jokes, and action is halfhearted at best, watching the cast attempt to work up a sweat with brief showdown situations. Ideas on faith vs. reality are presented but never massaged in full, and the picture's depiction of PCP hell is so cartoony, it inspires bewilderment instead of terror. "Disco Godfather" deserves credit for its bleak conclusion, which sends viewers off with a gut-punch instead of a laugh, making one final attempt to imprint its anti-drug message by messing with heroism, showing the fallibility of nobility. However, Moore is best served as ridiculously as possible, not presented as a community savior, forcing a man who built his career on dirty jokes to play it seriously for a lukewarm movie.
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