6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Morgan Paull is Dirty O'Neil, a small-town policeman with a big-time libido. On the rare occasions when his pants are on, he patrols the neighborhood and coaches the girls' basketball team. But when three nasty hoodlums appear in his peaceful California town, Dirty wastes no time dispensing justice.
Starring: Morgan Paull, Art Metrano, Sam Laws, Liv Lindeland, EllarainoThriller | Insignificant |
Drama | Insignificant |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 3.0 |
Lewis Teague is credited as the co-director of “Dirty O’Neil,” making his professional debut with a low-budget sexploitation/thriller offering before embarking on a career that included work on “Alligator,” “Cujo,” and “The Jewel of the Nile.” People have to start somewhere, and Teague is tasked (joined by co-helmer Leon Capetanos) to create something similar to a romp about a small-town cop who enjoys dealing with criminals and local women during his daily rounds. “Dirty O’Neil” is drive-in fodder, with barely a plot and the thinnest of characterization, offering an episodic exploration of bad behavior with a few detours into supercop cinema. It’s all fun and games until the production grows incredibly dark, which is the wrong creative decision to make when the material is basically shapeless, adding disturbing severity to a simplistic weekend distraction.
The AVC encoded image (1.85:1 aspect ratio) presentation for "Dirty O'Neil" is listed as a "brand new 2K transfer." Colors are alert during the viewing experience, with bright blues skies and deep reds on costuming and signage. Ample skintones are natural, and greenery is distinct. Detail is soft, with mild textures on facial particulars and period costuming. Town tours are passably dimensional, and only some interior decoration is open for study. Delineation is satisfactory. Grain is chunkier. Source is in decent condition, with speckling present and some mild wobble.
The 2.0 DTS-HD MA mix secures dialogue exchanges, keeping things reasonably intelligible while the production deals with the sounds of passing cars and airplanes. Scoring ranges from some orchestral additions to thin synth, offering decent support throughout. Sound effects are blunt.
"Dirty O'Neil" is relatively light for the first hour, possibly considered as a slight update of "Tom Jones," but the production isn't comfortable being casual for long. Teague and Capetanos break the wandering mood of the movie with a six-minute-long sexual assault sequence involving the visiting hoodlums, introducing distinct nastiness to a picture previously fine with the mere suggestion of ugliness. Supercop antics are cranked up for the final minutes of the effort, presenting more direct acts of violence and pursuit, which confuses the overall atmosphere of the feature. It begins with ogling and a man in a gorilla suit, and it ends with prolonged suffering and gunplay. "Dirty O'Neil" is certainly something at times, but not a cohesive endeavor in the least, offering a whiplash-inducing viewing experience.
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Slipcover in Original Pressing
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