7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
A widowed father and his daughter whose house is up for demolition, are taken hostage by a dangerous couple, who won't stop until they retrieve what lies beneath the property.
Starring: Thomas Jane, Harlow Jane, Emile Hirsch, Liana Liberato| Thriller | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Digital copy
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 2.0 |
Liongate, Saban and/or Grindstone seem to have a monopoly on low grade fare that often features an erstwhile marquee star like Bruce Willis or Mel Gibson prominently featured in key art if not in the actual film, but kind of weirdly (and perhaps amusingly), there are not one, but two, Lionsgate offerings now being released more or less in tandem that co-star Emile Hirsch. Thankfully, he's much too young to have an airbrushed version of his visage on the front cover, but that may be one of the few things to garner appreciation from this film in particular (the other Hirsch effort, Devil's Workshop, may (with an emphasis on that being a potential) have a bit more to offer.


Dig is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.38:1. Probably unsurprisingly, this film's IMDb technical specs page is completely empty as of the writing of this review, and a cursory search of the internet didn't really dredge up much information, other than an isolated photo of cinematographer Stephen St. Peter holding an Alexa camera in what looks like the New Mexico location for this film. I frankly didn't have the patience to listen to the commentary all the way through, where this may have been addressed, but as even a quick glance at some of the screenshots I've uploaded to accompany this review will disclose, while this is assumedly a digital capture, it has been "stylized" rather aggressively with frankly dirty looking digital grain. The pock marked black grittiness tends to completely overwhelm the image in vistas featuring skies, which unfortunately are dwelt upon unceasingly throughout the film. The entire presentation therefore has a fuzzy, almost out of focus looking at times, appearance where fine detail can struggle to emerge confidently. Things have been graded to a kind of bland peach-ochre- beige spectrum where nothing pops very dramatically.

Things are probably a bit better with regard to Dig's DTS-HD Master Audio 5.1 audio. This is an obviously low budget affair, largely confined to one set for the duration of the story, but there is still decent attention paid to the immersive qualities of some well done ambient environmental effects. Occasional startle effects like the unexpected gunfire early in the film also reverberate with sufficient energy. Dialogue (such as it is) is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.


Dig at least gave Thomas Jane a chance to work with his daughter, not to mention a perhaps more questionable chance for Emile Hirsch to go Southern Gothic for no apparent reason. This film starts out with an interesting angle which is almost immediately subverts with a predictable set of "family in hostage crisis" clichés. Technical merits are okay, though I found the video presentation frankly off putting, for anyone who may be considering making a purchase.
(Still not reliable for this title)

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