5.6 | / 10 |
Users | 3.2 | |
Reviewer | 3.0 | |
Overall | 3.2 |
Jason Creed and a small crew of college filmmakers are in the Pennsylvania woods making a no-budget horror film when they hear the terrifying news that the dead have started returning to life. Led by Jason's girlfriend, Debra, the frightened young filmmakers set off in a friend's old Winnebago to try to get back to the only safety and security they know: their homes. But there is no escape from the crisis, nor any real home for them anymore. Everything they depend upon, all that they hold dear, is fractured as the plague of the living dead begins to spread. Jason documents the true-life horrors in a tense, first-person style that heightens the reality of each encounter. Even as his friends die, even as they are attacked by ravenous walking corpses at every stop along the way, Jason keeps filming, an obsessive, unflinching eye in the midst of chaos. The government first denies, then promises to quell the crisis, but can’t. Technology fails. Communication with the rest of the world becomes impossible. Jason and what remains of his crew end up on their own, a handful of lucky survivors, reliant on no one but themselves to stay alive. They take final refuge in a fortress of a mansion, but their sanctuary turns out to be a trap from which there is no escape. Throughout it all, the cameras keep rolling, recording every detail for future generations--if any survive.
Starring: Michelle Morgan (V), Joshua Close, Shawn Roberts (II), Amy Lalonde, Joe DinicolHorror | 100% |
Thriller | 55% |
Video codec: VC-1
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 5.1 (48kHz, 24-bit)
English: Dolby Digital 5.1 (640 kbps)
French: Dolby Digital 5.1 (448 kbps)
English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 2.5 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 3.0 | |
Overall | 3.0 |
Who's going to be left to watch?
Legendary Horror filmmaker George A. Romero now has attached to his directorial credits a
quintet of undead-centric pictures. Generally, the films have been a success, offering both social
commentary and excellent Horror filmmaking that have been embraced by legions of fans the
world over. His first two films, Night of the Living Dead and Dawn of the Dead,
enjoy practically universal praise; the films heralded in an era of Horror filmmaking that only
continues to gain momentum as the years go by with tales of the undead in film, literature, and
video games cropping up faster than a corpse with a nasty bite to the neck. The middle films, Day of the Dead and
Land of the Dead,
have not been embraced by the Horror community in quite the same way as their predecessors,
though each film enjoys a loyal and vocal fan base for a myriad of reasons, particularly as they
both continue on with
the legacy of the first two films, logically progressing the story lines and embracing Zombie lore in
unique Romero fashion. Unfortunately, the latest film, Diary of the Dead, is a
Dead
movie in name only; it seems to be a reboot of sorts, following the exploits of a group of
twenty-somethings as they document the initial outbreak of a zombie infestation. The film
features a
lackluster story, uninspired acting, minimal gore, and a noble yet ultimately underwhelming take
on modern society that tries to be more haughty and self-important rather than satirical, the
latter of which represents the trait
that propelled its quartet of predecessors, particularly Dawn, into the stratosphere of
Horror movie lore.
That's one way to get rid of them.
Diary of the Dead comes to Blu-ray with a 1080p transfer framed in a 1.78:1 window. As explained at the beginning of the film, the majority of footage was captured with a pair of high definition video cameras, and therefore the strength of this transfer is only as good as the equipment allows. Generally, the results are fine when taking into account the nature of the picture. Still, the video is occasionally all over the map, beginning with a hard green tint that is reminiscent of The Matrix and going on to feature a rather standard-looking HD video appearance while intercut with cell phone footage and stock imagery that looks like it was shot off a television, featuring scan lines and all. The film doesn't present excessive noise, save for some of the darker shots where it becomes very noticeable. These darker shots often reveal fairly nice and deep blacks that only occasionally stray towards a shade of gray. The video is dim in general, with mostly dull colors and average levels of detail. There is really little to the experience; a few brightly lit daytime scenes fare the best, as expected, with the highest levels of clarity and texture, but generally, this is a drab-looking film, and the Blu-ray captures the intended look nicely.
Weinstein delivers Diary of the Dead to Blu-ray with a generally lackluster Dolby TrueHD 5.1 soundtrack. In this case, the sound design works, for it never feels too powerful compared to the (intended) shoddy visuals seen throughout the movie. Therefore, it never allows for a video/audio disconnect, providing a clear soundtrack that doesn't completely overshadow the film's visual style. Dialogue is presented with a slightly less-than-adequate volume at reference level, but it's generally clear and precise and delivered well enough via the center channel. Sound effects are minimal but pan across the soundstage when called upon to do so; a speeding car moves from the center channel and straight through to the right both efficiently and effortlessly. Still, most effects, particularly gunshots, offer little in the way of a major sonic impact. The track is generally front-heavy and sufficient, and it's certainly not an eardrum-busting experience.
Diary of the Dead features a handful of additional materials. First up is a commentary
track with Writer/Director George Romero, Director of Photography Adam Swica, and Editor
Michael Doherty. This is a nice track that Romero fans will appreciate. Romero discusses the
ideas behind the film, including its take on the "emerging media." He and the other participants
discuss more mundane details behind the shoot, too, including heavy discussions about the edits,
the flow of the film, the strengths of the cast, and more. Character Confessionals (480p,
19:47) features "Debra," "Eliot," "Tony," and "Tracey" speaking directly to the camera as they
address the horrors of the experience and send messages to their friends and family, among
other things. The First Week (480p, 4:23) features Independent Filmmaker Michael
Felsher providing viewers with a lighthearted glimpse into the first days of the shoot, discussing
the
reboot of the Dead series, the look of the film, the weather during the shoot, the making
of various scenes, and more.
The Roots (480p, 2:06) is a brief piece where Director George Romero discusses the
differences between this film and the other Dead films. Familiar Voices (480p,
5:14) features a glimpse into the special guest stars that lent their voice work to the film,
including Stephen King, Simon Pegg, and Guillermo del Toro. For the Record, the Making of
'Diary of the Dead' is a five-part, feature-length documentary that examines the process of
bringing the film to life. Master of the Dead: Writer/Director George A. Romero (480p,
13:20) features a plethora of participants sharing their thoughts on the legendary filmmaker, in
addition to interview snippets with the director himself. Into the Camera: The Cast
(480p, 17:07) takes a look at the various actors that appeared in the film and the characters
they portrayed. You Look Dead: Make-Up Effects (480p, 10:58) examines the film's
grisly special make-up effects with Greg Nicotero, Kyle Glencross, Chris Bridges, and Neil Morrill.
A New 'Spin' on Death: Visual Effects (480p, 19:03) looks at the production of many of
the visual effects with Steven Lewis and Colin Davies. Finally, Myspace Contest Winners
showcases five award-winning fan-made Zombie short films.
Diary of the Dead represents a good idea gone somewhat awry. True to the spirit of the Dead films, it offers a social commentary, but it's presented with more of a heavy hand rather than with a more satirical, less in-your-face edge. Untrue to the other Dead films, this one is unconnected to the other entries in that it seems to veer off into its own timeline and begins the franchise anew by featuring an initial zombie outbreak. With rather uninteresting characters and situations, not to mention only a few fleeting scenes of gore, Diary of the Dead may very well disappoint longtime Romero fans. Weinstein's Blu-ray release of Diary of the Dead is about as expected. Obviously, the video quality varies and is only as strong as its source. The lossless soundtrack is a bit subdued, though it is more fitting to the visuals than is the thunderous track accompanying Cloverfield, for example, which is fantastic but seems overkill for the style of filmmaking. Lastly, the studio has seen fit to include a fine selection of bonus materials. Diary of the Dead is worth checking out, particularly for those hardcore Romero and Zombie film fans; most will be best served by giving this one a rental.
2005
2008
Collector's Edition
1985
Ultimate Undead Edition
2009
2007
2010
2018
2002
Collector's Edition | + Theatrical Cut on BD
2004
[•REC]⁴: Apocalypse / [•REC]⁴: Apocalipsis
2014
Collector's Edition
2013
2016
2013
2007
1981
Unrated Edition
2008
50th Anniversary Edition
1968
2016
Unrated Special Edition
2008
2018