7 | / 10 |
Users | 4.5 | |
Reviewer | 4.5 | |
Overall | 4.5 |
A young woman's father-in-law begins to believe that she is a reincarnation of the goddess Kali, to whom he is strongly devoted. As she falls under the adoring eyes of other villagers, she begins to lose herself to the illusion.
Starring: Sharmila Tagore, Soumitra Chatterjee, Chhabi Biswas, Karuna BannerjeeForeign | 100% |
Drama | 60% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
Bengali: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.5 |
Religious belief can be either a bulwark or a burden, depending on one's point of view, and both of those disparate aspects are on full display in about equal measure in Satyajit Ray's devastating 1960 film Devi. The term "devi" means "goddess" in Sanskrit (I haven't researched, but I have a feeling that courtesy of Proto- Indo-European, it's probably a cognate of words like "divine" and/or "divinity"), and the film details the rather peculiar story of a young woman in a rural Indian community in the 19th century who has both the honor and misfortune to be perceived as an incarnation of Kali.
The western critic who hopes to do full justice to Devi must be prepared to do a great deal of homework before he confronts the film. He must read up on the cult of the Mother Goddess, on the nineteenth century renaissance in Bengal and how it affected the values of orthodox Hindu society. . .on the position of the Hindu bride in an upper class family, and on the relationship between father and son in the same family.Now, I am one who typically shirks "homework", but Devi is so clear in its portrayal of family relationships that even an "outsider" can probably instantly glean what's going on. The film begins with a 19th century Bengali religious festival which introduces paterfamilias Kalikinkar Choudhuri (Chhabi Biswas) and one of his sons, Umaprasad (Soumitra Chatterjee), in celebratory worship. This first scene firmly ensconces the family in both a community of believers as well as in a hierarchal patriarchy where Kalikinkar's word (and/or belief, as the case may be) is law. Umaprasad is married to Doyamoyee (Sharmila Tagore), but the couple is soon to be separated, since Umaprasad has plans to travel to Calcutta to better his English and teach.
Devi is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.37:1. Criterion's accordion style foldout offers the following information about the restoration:
Devi is presented in its original aspect ratio of 1.37:1. This new 4K digital restoration was undertaken by the Criterion Collection in collaboration with L'Immagine Ritrovata in Bologna, Italy. The 35 mm original camera negative was burned in a fire during transport from India to the Academy Film Archive in Hollywood in 1993. Only reels two and twelve, preserved by the Academy and amounting to a total of sixteen minutes, were salvageable for use in this restoration. The remainder of the film was completed using the only other known and accessible high quality material: a third generation 35 mm duplicate negative preserved by the Harvard Film Archive. Additionally, a 35 mm print preserved by the Academy was used for the main title sequence. All film elements were scanned in a Lasergraphics Director film scanner at Roundabout Entertainment in Burbank, California.Considering the information imparted above (and there are actually copious online articles about the horrifying destruction of any number of negatives of Ray's films in a fire), the results here are extremely commendable, though there are probably wider variances in image quality on display than regular fans of Criterion fare may be used to seeing. Particularly problematic are the many optical dissolves in the film, where already recurrent if relatively minor signs of age related wear and tear can spike pretty dramatically, with lots of scratches, dirt and slight image instability through the dissolves. Some, as in a brief shot of "pilgrims" late in the film, have kind of peculiar anomalies where almost look like tubes of light running vertically above the people accompany their travels. Those passing issues aside, this transfer boasts really solid contrast and some impressively deep blacks, with often lustrous modulation of gray scale. Fine detail is appealing, and Ray utilizes close-ups repeatedly, which help to elevate detail levels even more. No doubt due to the various source elements which had to be utilized, there are some clear variances in image quality, and some moments can look more like "dupes" than others, notably an outdoor scene at night where some crush intrudes and grain is bit chunkier than the rest of the presentation.
The original monaural soundtrack was remasterd from the Academy's 35 mm print and from three reels salvaged from the burned 35 mm optical soundtrack negative.
Devi features an LPCM Mono track in the original Bengali which may be a bit shallow sounding at times, but which does not have any real issues like can be spotted on the video side of things. Ustad Ali Akbar Khan contributes a gorgeous "ethnic" score which is extremely colorful (the Goddess featurette suggests Ray adapted some folk music to his own needs for the film as well). Dialogue is rendered cleanly and clearly throughout, and I noticed no issues whatsoever in terms of damage, dropouts or distortion.
Devi may in fact be an intrinsically "Indian" story, as evidenced by Ray's warnings to those pesky "Western critics" above, but it is also a universal cautionary tale that any form of over zealous belief can lead to tragedy. This is a film marked by Ray's always visceral visual sense, but elevated by some really remarkable performances. Video encounters a few hurdles due to the condition of the elements that had to be utilized, but audio is fine, and the two supplements very enjoyable. Highly recommended.
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