6.5 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
In the 19th century, a depraved baron confronts a hereditary curse by imprisoning his two adult children in the family castle. But when a nearby village is plagued by a series of sex murders, the killings trigger a mass hysteria of profane rituals and sadistic desires. Can these 'demons' be destroyed by a power beyond madness or will a final onslaught of evil demand that blood have blood?
Starring: Robert Hardy, Shane Briant, Gillian Hills, Yvonne Mitchell, Paul Jones (IV)Horror | 100% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.0 |
In a rehashed audio commentary included on this Scream Factory disc, Australian director Peter Sykes and British screenwriter Christopher Wicking explain how they conceptualized certain characters in Demons of the Mind with a psychopathic condition sans any werewolves. Indeed, this is the first Gothic Hammer film without any monsters. Wicking and producer Frank Godwin, his friendly collaborator, came up with a treatment that emphasized a lycanthropic theme. But producer/Hammer chief Michael Carreras was thinking of his intended younger audience and wanted to dispense of any supernatural creatures. He also didn't want an older actor like Hammer stalwarts Christopher Lee and Peter Cushing to star in the picture. In the plot's backstory, Fischinger (Robert Brown), the village Ostler, does refer to a devouring creature that roamed the forest and connects it to the mysterious disappearance of a young peasant woman. The movie was initially titled Blood Will Have Blood, which borrows from Shakespeare's Macbeth. The finished film does retain that quote in a line of dialogue, though. For the role of the Bavarian patriarch, James Mason and Paul Scofield were considered but both passed on it. Eric Porter was then cast but he already committed to star in Hands of the Ripper (1971) so it went to veteran character actor Robert Hardy. Hammer tapped singer Marianne Faithfull to play the daughter of Zorn but she turned it down. Gillian Hills (Blow-Up, A Clockwork Orange) stepped in as her replacement. Wicking was doing some rewrites on Sykes's The Legend of Spider Forest (aka Venom, 1971) and recommended the Aussie to direct Demons of the Mind.
The movie opens in 1830 Bavaria. Inside the traveling coach, Elizabeth Zorn (Gillian Hills) has a dreamy flashback of her escape from Zorn Castle. Carl Richter (Paul Jones), a handsome woodcutter who's also a physician, takes her in and the two make love. Carol paddles his small boat on the lake with Elizabeth, who's in idyllic surroundings. Later while sauntering around, Elizabeth is blindsided by Klaus (Kenneth J. Warren), the Zorn family's bald-headed retainer, who kidnaps and returns her to the castle. Baron Friedrich Zorn (Robert Hardy) has kept Elizabeth and her brother Emil (Shane Briant) locked up and sequestered from each other ever since Zorn's wife committed suicide. The Zorn family has a history of centuries-old inbreeding. Friedrich married a peasant woman but upon learning of her virginal blood, he experienced a traumatic sexual encounter that eventually lead to her sliting her throat in front of Emil and Elizabeth. The baron believes that his offspring's blood is diseased so Aunt Hilda (Yvonne Mitchell) uses a scarificator kit to drain it. Friedrich has also hired Dr. Falkenberg (Patrick Magee), a hypnotist, to work on him and his children, who he fears will have an incestuous relationship. Falkenberg is based on the life and work of Franz Mesmer, the godfather of hypnosis, whose ideas and beliefs were also unpopular in his community. This is all part of the baron's plan to "cure" his son and daughter. In the meantime, village girls are disappearing in the forest. An overzealous priest (Michael Hordern) and a bunch of villagers reckon that demons are behind it. These suspicions and Carl's search for Elizabeth lead to the Zorn Castle. In a subplot, Klaus lures his lover, a pretty strumpet named Inge (Virginia Wetherell), to the castle where she'll dress up and perform in a "play" with Emil. Is this trap set by the baron and one of his dangerous ploys?
Baron Zorn surveys the family portrait.
Scream Factory has issued Demons of the Mind on US Blu-ray using the MPEG-4 AVC encode. The film first received notice on home video when Winnie Bonelli of The News (Paterson, NJ) reviewed the 1986 VHS release in brief. She stated it's intended for "classic horror film lovers" and has "the stuff that nightmares are made of." When Demons began receiving DVD releases in the early 2000s, four labels (US Anchor Bay Entertainment, AU Universal, FR Studio Canal, and UK Optimum) presented it in the spherical ratio of 1.85:1. It was a fine transfer, although the R4 reportedly suffered from some macroblocking and comet trails. In 2017, Studio Canal released it in Germany as part of a 7-film Hammer Film Edition box set, which also included an stand-alone edition in the UK. All the BDs are displayed it in 1.66:1. I've studied the framings of each AR and the 1.66:1 allows for more head and shoulder room. The 1.85:1 shows more information on the sides. I'm unsure which one was the original exhibition choice in Britain. Demons also was included in a limited edition French box set distributed by Tamasa Diffusion in November 2020 under the title, Hammer: Tome 2, 1970-1976; Sex & Blood. The 4K scan was performed by Deluxe Restoration. Demons was then restored in 2K by UK-based Silver Salt Restoration under the supervision of Mark Bonnici. It seems that all Blu-rays are sourced from this scan and restoration. Skin tones are natural without any artificial touch-ups. Briant's face often appears pale à la a vampire (see Screenshot #12). The Anglo-EMI press booklet documents that "strong vivid colours" were added for the essential dramatic scenes. These vibrant and garish colors stand out splendidly on this transfer. According to the original press notes, production designer Michael Stringer and his art team added stained glass windows to the grand hall and staircase (see capture #2). The sunlight in the forest sometimes accents it with mist (see frame grab #5). Scream has encoded the feature at a mean video bitrate of 33000 kbps.
Scream gives viewers twelve chapter stops for the 89-minute film.
Scream supplies a DTS-HD Master Audio Dual Mono (1569 kbps, 24-bit). The lossless monaural mix is clean and without any analog-sourced hiss, background noise, or dropouts. The dialogue delivered by the British cast is crisp. It's more difficult to make out some of the words spoken in the forest scenes as opposed to those in the interiors at Zorn Castle. Harry Robertson composed what has to be one of his greatest scores: a rich and varied symphonic work with several themes. The short, staccato notes played by the strings pulsate on the front channels during a chase.
Scream delivers optional English SDH that are complete and accurate. They contain most characters' names in brackets. The transcription also gives specific nouns and adjectives for the sound f/x.
Demons of the Mind is arguably the most unusual and atypical picture Hammer has ever made. And yet it retains several of the tropes that are staples of the studio: on-location sets, period décor, nubile blondes, sex, and gore. Be advised that it's a deeply unsettling and disturbing film at times. It deftly counterbalances the beautiful with the horrific. Scream Factory delivers a gorgeous restoration of the film with a rock-solid uncompressed track of the original monaural mix. The two commentaries are replete with production nuggets and insights. This is rife for a major rediscovery. An ENTHUSIASTIC RECOMMENDATION for Demons of the Mind.
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