5.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
In one of the last breakdancing movies of the mid-'80s, two competing breakdancing teams have their eye on a $10,000 prize in an upcoming contest. Three of the dancers on one team work as pizza delivery boys. Mean-spirited Spider (Mario van Peebles) from the opposing team convinces the gullible pizza boss that the three must be detained so they can't enter the contest. So one of the three is set up to make a delivery to a gorgeous woman who seduces him. The second is sent to a hospital where he's given new medicine that sidelines him for the rest of the day. And the third is sent to a gallery where he breaks a statue in an exhibition opening that evening and is forced to pose as the broken image, wearing only a fig leaf.
Starring: Nelson Vasquez, Rodney Harvey, Mario Van Peebles, Lisa Vidal, Samantha Fox (I)Comedy | Insignificant |
Sport | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 2.0 | |
Overall | 3.0 |
Sold as a breakdance movie in 1985, “Delivery Boys” isn’t exactly the next cinematic step after the two “Breakin’” features from 1984. It’s a much weirder concoction from writer/director Ken Handler, who’s best known as the inspiration for the Ken doll. Perhaps out to make a breezy good time with slick moves and hot music from the era, Handler ends up with something far more laborious instead, joining forces with co-producer Chuck Vincent, an adult film helmer. Merging the electricity of youth and the production vibe of pornography, Handler gets awfully confused with “Delivery Boys,” ending up with a sluggish non-comedy filled with amateur actors doing their best to generate a homoerotic vibe for the primarily heterosexual teen horndog subgenre. Where’s Turbo and Ozone when you need them?
The AVC encoded image (1.78:1 aspect ratio) presentation is sourced from an older master, which provides a level of softness to the viewing experience. It's a fairly grungy movie to begin with, but detail is acceptable, capturing urban tours with the characters as they travel around streets, hang out in slums, and work in the pizzeria. Interiors are open for study, with period decoration always interesting, and extreme costuming has some fibrous qualities. Close-ups handle acceptably, but never sharply. Colors are appealing, delivering a feel for NYC in 1984, with various signs and outfits adding potency. Skintones are natural. Delineation is acceptable. Source is in decent shape, but a few strange video-like "ripples" briefly occur during the runtime. Judder is also detected.
The 2.0 DTS-HD MA mix delivers an appropriate track for "Delivery Boys," which doesn't offer advanced sound. Soundtrack selections are acceptable, with decent instrumentation and position, keeping the beat as the dancers work out their practices and battles. Dialogue exchanges are at a disadvantage, as the cast's inability to act often prevents any understanding of their lines, but the essentials are passable, dealing comfortably with heavy accents. Atmospherics are mild.
Handler likes to keep his cast shirtless and dancing, focusing on male bodies for most of "Delivery Boys." This is actually preferable to any sort of funny business, which consistently dies on impact. Of course, there should be wall-to-wall breakdancing in "Delivery Boys," and what little there is here is most engaging, giving the feature a time capsule appeal. Such focus eludes the production, which really doesn't know what it wants or what it's doing, finding Handler hunting for filler when the basic glory of spinning moves from the heart of the decade is right there for the taking.
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