6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A gutsy investigative reporter enlists the help of a commercial dive master to unravel the mystery in the waters of a small coastal community and a hazardous nuclear power plant with horrifying results.
Director: Dave Castiglione| Horror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 1.5 | |
| Video | 2.0 | |
| Audio | 3.0 | |
| Extras | 5.0 | |
| Overall | 3.5 |
Working out his filmmaking interests with shot-on-video productions, writer/director Dave Castiglione dares to go underwater with 2005’s “Deep Undead,” striving to create an epic mystery about the dangers of the ocean, the corruption of corporations, and the threat of mutant monsters. It’s a promising idea handed leaden execution by the helmer, who can’t achieve the basics in pace and suspense with the feature, which is represented on the disc in a 2019 “Director’s Cut,” which adds 20 minutes of footage to a picture that’s already 45 minutes too long.


The AVC encoded image (1.33:1 aspect ratio) presentation is a typical SOV viewing experience, with a soft appearance that doesn't offer fine detail, only achieving a basic understanding of frame elements. Color is also aged, with only simple primaries making much of an impression, while underwater footage occasionally turns black and white, hopefully intentionally. Compression issues are common, with banding detected.

The 2.0 DTS-HD MA mix secures a basic understanding of dialogue exchanges, with performances battling technical limitations and background noise. Intelligibility is adequate. Scoring isn't forceful, supporting with a milder synth sound. Sound effects are blunt.


Castiglione gets ambitious with a prologue set in 1923, but he can't overcome no-budget limitations. Stabs at humor are largely mean-spirited (the picture even includes an outtake for reasons unknown), and screen tension is nonexistent, with weirdness hitting the feature in the final act, coming way too late to make an impression. "Deep Undead" doesn't have much visual or thespian power, and the screenplay wants to achieve a sense of menace without putting in the work to deliver meaningful dialogue and memorable characters. "Deep Undead" isn't a goof, with Castiglione trying something different for an SOV endeavor, but simply going underwater isn't enough to support an idea best suited for a short film.

1963

The Hanging Woman / La orgía de los muertos
1973

1999

1987

Slipcover in Original Pressing
1992

2009

1994

Limited Edition Slipcover
1996

1994

1979

2005

Slipcover in Original Pressing
2004

2019

1989

Slipcover in Original Pressing
1986

The Fiend
1972

Slipcover In Original Pressing
1974

1977

2017

1972