6.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
An American satellite with a new biological weapon gets out of control and crashes onto US territory. A slimy monster emerges and manages to escape, killing everyone who crosses his path. Police Lieutenant McLemore gets the job to stop the killing machine.
Starring: Charles Napier, Ann Turkel, Bo Svenson, Ron Glass, Julie NewmarHorror | 100% |
Sci-Fi | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
I’m sure when Ridley Scott directed “Alien,” he had no idea what kind of influence his film would have on B-movies from the 1980s. There have been many riffs on the 1979 classic throughout the decade, with co-writer/director Fred Olen Ray trying his luck with 1988’s “Deep Space,” which merges elements from “Alien” and “Aliens” to help inspire a supercop adventure that involves a monstrous menace. Ray doesn’t have much in the way of a budget to bring serious ghoulishness to life, but he does have actor Charles Napier, with the veteran character actor attempting to deliver swagger and cynicism to his role as the detective on the trail of a violent biological weapon. Napier is fun to watch, along with the rest of the cast, but creepiness is certainly not there for Ray, who seems happy just to piece together a coherent picture with multiple creature encounters.
The AVC encoded image (1.78:1 aspect ratio) presentation explores the modest production achievements of "Deep Space" with reasonable clarity from an older scan. Detail delivers on monster specifics, with goopy particulars on the invader compelling. The human side of things offers textures as well, providing aged facial surfaces and decent costuming. Set decoration is also open for study. Colors are satisfactory, with the heightened lighting of "Deep Space" appreciable, delivering brighter primaries. Skintones are natural. Delineation is comfortable, preserving evening activity, which makes up a large portion of the runtime. Source is in decent shape, but some blotching is periodically detected.
The 2.0 DTS-HD MA track encounters some stretches of sibilance, periodically diminishing dialogue exchanges. Performances do come through as intended, with clenched-jawed banter easy to follow. Scoring is simplistic but present, offering a sharper synth sound. Atmospherics are basic, handling street encounters and office activity. Sound effects are defined to satisfaction, securing monster roars and gunfire. Hiss is present throughout the listening event, and occasional popping is detected.
Unfortunately, there is a monster in "Deep Space," and one that causes a lot of trouble for curious types trying to understand what it is. Scenes of slaughter are delivered periodically by Ray, who does a fine job selling the limitations of the special effects, pitting a Xenomorph-like menace against human prey. There's a certain level of B-movie escapism to enjoy, but the sameness of the material tends to wear on patience levels, as true excitement eludes Ray, who's just trying to keep the production together. He's good with actors and strives to deliver something awful with the main threat, but "Deep Space" isn't weird enough to charm or harsh enough to frighten, remaining a muted viewing experience that's supported by a seasoned cast, making pure acting moments more compelling than the central creature.
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