7.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 5.0 | |
| Overall | 5.0 |
Made in Japan is a double live album by English rock band Deep Purple, recorded during their first tour of Japan in August 1972. It was originally released on 8 December 1972 in Japan, with a US release on 30 March 1973, and became a critical and commercial success.
Starring: Ian Gillan, Ritchie Blackmore| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
None
Blu-ray Disc
Six-disc set (1 BD, 5 CDs)
Region A (B, C untested)
| Movie | 5.0 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 5.0 | |
| Overall | 5.0 |
Audiophiles who are either old enough or, well, young but hip enough to collect vinyl may have experienced the rather odd "Japanese exclusives" that were a regular part of the LP (and even CD) generation, where top flight global acts would give live performances in Japan and then recordings of those concerts would be released only in Japan, leaving frustrated collectors to arrange getting them (something that was particularly convoluted before the internet). Kind of interestingly in that regard, Rhino's website mentions that Deep Purple's Made in Japan album was supposed to be exactly that sort of insular "national" release, but evidently wiser (marketing?) heads prevailed, and while the album did debut in Japan, it became a major global smash for the band after it became available everywhere. The album was so successful in fact that it has been named as one of the all time best live concert albums ever released, and perhaps the only downside to the band's tour of Japan is that there is no video included here.


There is no video content on the Blu-ray disc other than static menus. I've provided several screenshots of the menus, and this is a fairly straightforward authoring job that displays different colors as you navigate through the tracks. The titles are white until selected, which turns them to a red-orange color. If you're playing a track and move to another one without actually starting it, the track playing turns to gold, and the one you've moved to changes to red-orange (look at screenshot 2 where "Child in Time" is playing, and then see screenshot 3 where I navigated to "Smoke on the Water" while "Child in Time" was still playing for an example).

Once again, Rhino and Warner Music Group offer fans a nice assortment of audio options, including Dolby Atmos, DTS-HD Master Audio 5.1 and DTS-HD
Master Audio 2.0 for Steven Wilson's 2025 remixes, and DTS-HD Master Audio 2.0 for the original 1972 stereo mix. Also once again, Maestro Wilson
has brought his considerable expertise to the project, and both the Atmos and 5.1 options significantly open up the proceedings without (thankfully)
making the rapturous crowd sounds too overwhelming. One of the things that actually kind of surprised me was in going to the original stereo mix and
hearing how kind of "hiss"-y the high end is throughout that version, something that has been completely ameliorated in all of the 2025 remixes. There
are some interesting variations in midrange and low end between the Atmos and 5.1 tracks, and I would encourage fans to actually listen to the album
all the way through in all three (four, including the original) versions to hear some of those differences, but on the whole both of the surround tracks
offer beautifully spacious renderings with "natural" sounding hall ambience. Instruments are nicely splayed in the surround channels, but again
commendably I never felt (as I sometimes do) that vocals were ever buried in the mix.
One potential downside for some audiophiles is that toggling between audio codecs via the menu starts the song over.

This is another absolutely astounding set from Rhino and Warner Music Group, and as always with these releases, one fan's "main feature" may be
another fan's "supplement", but with an assumption most reading this review will be considering the Blu-ray disc the prime attraction, here's what
else this release offers:
CD One: Original Album (2025 Steven Wilson Remix)

There's a reason I named Audio Blu-ray as a category in my top spot a couple of years ago in our annual Top 10 lists, and another reason I cited Rhino and Warner Music Group in particular as providing fans with typically exceptional releases. Deep Purple probably hasn't been quite as well served in the high definition era as, say, Pink Floyd, but this spectacular sounding Blu-ray should help alleviate that deficit. Highly recommended.