7.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Vogel, an important trafficker, betrayed two of his accomplices, Castro and Smith. The first was shot by police, while the latter was imprisoned. Fifteen years later Smith comes back for revenge.
Director: Jesús FrancoForeign | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
Spanish: DTS-HD Master Audio 2.0 Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 3.5 | |
Extras | 1.0 | |
Overall | 3.5 |
Note: This film is available on Blu-ray as part of Franco
Noir.
In a typically informative supplement featuring Stephen Thrower which is included on this release, Thrower makes a perhaps cautionary statement
warning those who may think they know the "story" of Jess Franco to think again, at least if they presume that some of his more lurid
horror and sex suffused entries which appeared throughout the sixties and seventies in particular are the sum total of Franco's filmography.
Thrower
in fact makes a rather cogent case that Franco in his early years was at least a relatively more mainstream director, and the two films aggregated
for
this release help to support that thesis. Both of the offerings in this set have style to spare and also feature storylines that would have been
completely at home in any of the hard boiled post-World War II noir productions that Columbia in particular could churn out, at least
initially
for the American market. The fact that, depending on whether various online sources and/or a statement on the very cover of this release are
cited,
either
Death Whistles the Blues or Rififi in the City or possibly both together were enough to convince Orson Welles to hire
Franco
as his assistant on Chimes at Midnight may allude
to the unabashed style of these offerings, and there is a
certain florid Wellesian quality to the framings of both films, and Death Whistles the Blues in particular seems willfully evocative of one of
Welles' better remembered efforts.
Death Whistles the Blues is presented on Blu-ray courtesy of Severin Films with an AVC encoded 1080p transfer in 1.78:1. The back cover of this release (which lumps the two films on the disc together) states both transfers "feature HD scans from the original negatives for the first time ever". This is by and large a great looking transfer, one that preserves the chiaroscuro lighting approaches, with nicely modulated gray scale and some very appealingly dark blacks. While there is some very minor damage to report, it's typically in the form of fleeting things like white specks or very minor nicks. The very opening of this presentation looked just slightly filtered and "video" like to my eyes, but things improved noticeably rather quickly, and grain resolves organically for the most part. Detail levels are generally excellent, but there are several pretty soft moments, many in the nightclub scenes, and in fact some of these moments seem due to some inartful focus pulling.
Death Whistles the Blues features a DTS-HD Master Audio 2.0 Mono track in the original Spanish. The film's jazz inflected score Antón García Abril can sound just slightly tinny at times (as in the opening scene documenting a killing on a bridge), but most of the actual club material, including an all important trumpet solo, sound reasonably full bodied. I'm assuming at least parts of the film were post looped, which can lead to the oft mentioned "loose sync", but fidelity is generally fine throughout the audio presentation, with dialogue being rendered cleanly and clearly. Optional English subtitles are available.
Of the two films in this set, Death Whistles the Blues is probably the more interesting, or at least was to me, though it is perhaps hobbled a bit with an arguably over convoluted plot. That aspect may be offset by some fun performances and a surplus of style from Franco and cinematographer Juan Mariné. Technical merits are generally solid, and the Stephen Thrower supplement is very informative. Recommended.
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