5.9 | / 10 |
Users | 0.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
A group of teenagers take refuge in an old, deserted mansion. Soon the members of the group start turning up dead, and the teenagers realize that they're not alone in the mansion.
Starring: Jerry Kernion, William Russell (II), Jennifer DeloraHorror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 2.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 2.0 |
Many of you have probably seen the joking commercial (for an insurance company, if memory serves) where a bunch of kids supposedly in your everyday, average horror movie, tries to decide how to escape their gruesome fate, ultimately making the stupidest decision possible (hiding behind an array of chainsaws) and thereby ensuring their demise. That commercial may have been designed to be an obviously cheeky parody, but the real punchline for anyone who watches Deadly Manor may be how similar the kids in this movie are to the dunderheads in the ad. Years ago a producer friend of mine was watching a video of some old pirate movie, and there was a big fight scene where the hero, sword brandished in hand, kept climbing masts and the like to supposedly “escape”, and my friend asked, “Why do they always try to go up?”, indicating that (typically) there’s no easy exit in that direction. Similarly, a lack of sound (directional or otherwise) judgment definitely informs the shenanigans in this 1990 entry, and its very release year might suggest that it simply couldn’t help but feel derivative. What’s really odd about Deadly Manor, though, especially when taking into account it comes from genre specialist José Ramon Larraz (Arrow’s recent Edge of the Axe) is how deadly (and not in a good way) slow it is, taking almost two thirds of its running time to finally get to what most fans come to slashers for — the slashing.
Deadly Manor is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet contains the following information on the restoration:
Deadly Manor is presented in its original aspect ratio of 1.85:1 with mono audio.This is another commendable looking restoration of a cult title from Arrow, but the film's low budget ambience means there's not a ton of visual "wow" to the proceedings. The palette is generally well suffused, but looked just a bit ruddy to me at times. While contrast is also generally solid, a lot of the more dimly lit interior material (and there's quite a bit of it) tended to feature slightly milky blacks and a kind of overall hazy appearance. The film does offer quite a few close-ups, especially during some of the kill scenes, and fine detail levels tend to be quite good throughout those. Grain resolves naturally throughout the presentation.
An original 35 mm interpositive element was scanned in 2K resolution on a 4K Arri at OCN Digital Labs, CT. The film was graded on Digital Vision's Nucoda Film Master and restored at R3Store Studios in London.
The original mono mix was was remastered from the optical negatives at Deluxe Audio Services, Hollywood.
All materials for this restoration were provided by Films Around the World.
Deadly Manor features an LPCM Mono track which more than capably supports the film's pretty basic sound design. While there are some intermittent ambient environmental sounds, especially with regard to the weather once it starts up, and also with regard to some effects like a wall that keeps cracking more and more (one of those aforementioned "spooky supernatural" aspects that is never really followed up on in any meaningful way), a lot of the film is either dialogue or underscore which tends to favor low end synths (the Synclavier gets a special mention in the credits!). Fidelity is fine throughout, delivering dialogue, effects and score without any problems whatsoever.
While there are flashes of occasional humor here, Deadly Manor might have benefited from going an all out comedy route, especially since several of the actors kind of come off as not quite ready for prime time sorts. Even had the film tipped more over into the humorous side of things, someone might have wanted to address the fact that it takes what feels like forever for any real mayhem to break out. Still, Larraz fans may want to check this out, and for them, technical merits are solid and the supplementary package very enjoyable.
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