7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Thomas, a very intelligent and resourceful child, is left alone with his beloved and fragile granddad on Christmas Eve, when a psychopath dressed as Santa Claus breaks into their mansion and starts chasing them. Thomas will do whatever he can to save himself and his granddad.
Starring: Brigitte Fossey, Louis Ducreux, Patrick Floersheim, Alain Lalanne, François-Eric GendronHorror | 100% |
Foreign | 56% |
Thriller | Insignificant |
Holiday | Insignificant |
Fantasy | Insignificant |
Action | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
French: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A, B (C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 5.0 | |
Overall | 4.5 |
1989’s “Deadly Games” (also known as “36.15 code Pere Noel” or “Dial Code Santa Claus”) offers a roughhouse take on the kid-defends-castle subgenre, which found worldwide popularity with 1990’s “Home Alone.” There was a point in his life where writer/director Rene Manzor wasn’t happy with the John Hughes production, believing it lifted more than a few elements from his picture. Who knows the truth, but the reality is “Deadly Games” isn’t “Home Alone” in story or tone, with Manzor going deeper into the darkness with the endeavor, offering a lighthearted first act before things turn serious for a boy hero, who’s forced to confront some bitter realities about life while taking on violent home invader.
The included screenshots are sourced from a 1080p Blu-ray disc.
"Deadly Games" represents Vinegar Syndrome's third foray into UHD, offering a 2160p presentation (1.85:1 aspect ratio) that immediately
sparks to life with the colors of Christmas, offering hearty greens and reds to set the seasonal mood. Hues are vibrant throughout the viewing
experience, exploring deep reds on Santa's costume and household decoration, which come through sharply. Skintones are natural. Cinematographic
softness is present, but detail is quite welcoming, surveying battered skin surfaces and plastic war gear wrapped around Thomas. Mansion interiors offer
strong dimension, and exteriors are open for study, with "stolen shots" providing masses of crowds and street life to examine with clarity. Delineation is
secure, managing shadowy encounters with satisfactory frame information, and highlights aren't blinding, doing well with the bright whites of snow,
yellow car headlights, and Christmas lighting. Grain is nicely resolved, permitting a superbly film-like look to the feature.
The 2.0 DTS-HD MA sound mix offers a wide listening event for "Deadly Games," leading with sharp dialogues exchanges that explore casual banter and heighted states of awareness, with just a touch of crispiness on the higher end at times. Scoring maintains distinct instrumentation, with heavier synth sounds and rumbling percussion. Bonnie Tyler's tune carries elegantly and powerfully, providing a pleasing break from the action with a more delicate, bell-heavy sound. Atmospherics register as intended, delivering community activity and echoed room tone. Sound effects are distinct.
"Deadly Games" is a stylish picture with surges of inspiration, and a tune from Bonnie Tyler sets the seasonal mood quite nicely, adding some atmosphere. Manzor isn't making a romp with the feature, despite early sequences hinting at that direction. He ends up with something very dark concerning the death of innocence, limiting the fun factor of the endeavor. It's quite grim at times, but always well-made and sharply acted. The "Home Alone" comparison doesn't quite fit, with Hughes going the slapstick way with "Straw Dogs" home defense, while "Deadly Games" keeps things quite severe as it details a similar sense of childlike duty.
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