5.9 | / 10 |
Users | 5.0 | |
Reviewer | 3.0 | |
Overall | 3.6 |
When Alice (Brittany Murphy), a fragile scribe, seeks peace so she can complete her screenplay before a deadline, she moves to a remote, deserted country house. Soon, baffling noises ignite her imagination and pursuit to discover the force behind the mind games. Will she meet her deadline or end up dead?
Starring: Brittany Murphy, Thora Birch, Tammy Blanchard, Marc BlucasHorror | 100% |
Thriller | 58% |
Supernatural | 29% |
Psychological thriller | 9% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.33:1
Original aspect ratio: 2.39:1
English: Dolby TrueHD 5.1
English: Dolby Digital 2.0
English SDH, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 2.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 3.0 |
Given the news of Brittany Murphy’s untimely passing at the young age of 32, I’m finding it difficult to complete a review of her most recent film. It’s a strange coincidence to sit down and watch a film one morning, only to find the main actress on the headlines of every major internet sight that evening, with a declaration that she passed away during the same period of time I was watching her film. I’m certainly not implying it’s a creepy coincidence, but the circumstances lend the film a bit more weight when you know the career of the lead actress has been cut short, and this is one of the final performances of that brief career.
Who's watching who?
Presented in 1080p utilizing the AVC codec (at an average bitrate of 22Mbps), Deadline is a tough film to judge given the nature of the intended visuals. First and foremost, the cinematography uses a muted color scheme which drenches the entire film in dark, yellowed tones that rob the visuals of the richness usually found on Blu-ray. The coloring certainly isn't the fault of the transfer, since the filtered pallette is present in the original source material, but it still sucks the life out of a large portion of the film. Another negative drawback to the artistic presentation is a tendency for blacks to overwhelm the background, removing shadow detail in the low-light interiors. This wreaks havoc on contrast's ability to differentiate between various shades in the darkness, leaving viewers straining to see objects or figures that appear outside of the central foreground (adding to the tension and atmosphere, but detracting from the overall visual quality). Lastly, fine object detail is quite good through the majority if the film, but there are several notable sequences that appear slightly out of focus or hazy.
A high-quality sound design is of the upmost importance when you're trying to generate thrills and chills. Thankfully, Deadline nails every nuance with a wonderful level of precision, creating an audio experience that elevates the production beyond its meager roots. I'm not typically the type of person to lurch in my chair when a door slams or a telephone rings, but those subtle effects are distributed throughout the surround field with such care that you feel as if you're immersed within the atmosphere of the haunted mansion. These jump-inducing moments wouldn't be nearly as moving without the tension that's generated during the softer sequences, almost lulling the viewer to sleep despite the impending sense of dread. On the downside, there were at least two scenes in the film where I noticed a lack of sufficient volume from the dialogue portion of the track. One of the scenes occurs at a critical point in the story, making it difficult to decipher a small piece of the backstory. Other than a couple of weak moments in the volume of the dialogue, the balance between the various elements in the mix is entirely proficient, rendering an audio presentation that's crisp, dynamic, and wonderfully entertaining.
Behind the Scenes (480p, Dolby Digital 2.0 10:13 min): Be sure you wait to watch this supplement until after the film, since most of the key plot twists are divulged during the course of the brief 10 minute runtime. Aside from a typical discussion of the themes in the story, most of the interviews focus on praising various members of the cast and crew for their accomplishments.
Deadline is a difficult film to recommend, since it fails just as much as it succeeds. On the one hand we have excellent production values, good acting, and edge-of-your-seat tension. On the other hand, we have a weak central story, a confusing ending, and plot holes large enough to fit a truck through. As a result, I'm left with only a lukewarm appreciation for the film, and recommend you consider a rental prior to making a purchase decision. I certainly don't mind adding Deadline to my collection, but I doubt I'll be revisiting it as often as other entries in the genre.
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