7.1 | / 10 |
Users | 4.5 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Parodies of the '40s hard boiled detective genre, with a very clever conceit: weaving the plot and production design around memorable movie clips (The Killers, The Big Sleep, Double Indemnity, The Lost Weekend, White Heat, This Gun for Hire, Sorry, Wrong Number, Notorious). Cool Rigby Reardon tries solving an incomprehensible mystery with the assistance of Humphrey Bogart, James Cagney, Burt Lancaster, Fred MacMurray, Ingrid Bergman, and Ray Milland, among others.
Starring: Steve Martin, Rachel Ward (I), Humphrey Bogart, Kirk Douglas, Burt LancasterFilm-Noir | 100% |
Comedy | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 0.0 | |
Overall | 3.5 |
Carl Reiner and Steve Martin made four films together beginning with 1979’s The Jerk, which was in fact Martin’s major feature starring debut. The Jerk was a celebration of “stupid comedy”, but kind of interestingly the subsequent three film collaborations between Reiner and Martin were all kind of “high concept” offerings in their own demented ways. Both 1983’s The Man with Two Brains and 1984’s All of Me bore a certain resemblance to each other, with each film exploiting brains (and/or consciousnesses) being imported into bodies to which they don’t belong, with the first film sending up everything from Frankenstein to The Brain That Wouldn't Die, and the latter film skewering a bunch of New Age hoohah (a technical term) while also providing Martin with one of the most superbly silly opportunities for physical comedy after the character he plays “incorporates” the consciousness of the character played by Lily Tomlin. But in the “high concept” arena, probably none of the four films made by Reiner and Martin come close to Dead Men Don’t Wear Plaid, a parody of film noir that actually incorporates a slew of clips from old noir (and/or mystery) films, including everything from Alfred Hitchcock’s Suspicion and Notorious to true noir classics like Double Indemnity, The Postman Always Rings Twice and The Big Sleep. Perhaps surprisingly, then, the comedic dividends in Dead Men Don’t Wear Plaid are a little variable, with Reiner often tending to rely on shtick instead of more verbally acute humor.
Dead Men Don't Wear Plaid is presented on Blu-ray courtesy of Universal Studios with an AVC encoded 1080p transfer in 1.85:1. There's an unavoidable heterogeneity to this presentation courtesy of the many clips that are used interstitially, clips that have obviously been sourced from elements in pretty drastically different states of quality (or lack thereof). Adding to age related wear and tear which affects everything from damage like scratches and nicks to contrast is the fact that all of these vintage clips, which were originally in Academy ratio, have been blown up for the 1.85:1 frame, something that adds measurably to issues with grain resolution at varying moments. That said, the "contemporary" elements in this transfer are typically excellent looking, with a nicely resolved fine grain field, and really nice looking contrast that offers solid, deep blacks and pleasingly modulated gray scale. Detail levels and fine detail levels in these "newly filmed" portions of the tale are generally consistent throughout the presentation.
Dead Men Don't Wear Plaid features a DTS-HD Master Audio 2.0 mono track that experiences some of the same variances as the video presentation, though probably not to the same degree. There are clear variances in fidelity as the film segues from "newly filmed" elements to the vintage clips, and occasionally the changes are a little jarring. But again as with the video aspect, all of the contemporary sequences feature excellent fidelity that easily supports dialogue, effects and score.
This is another Universal catalog release that doesn't just have no supplements, but which even forsakes a Main Menu. The disc simply boots to the Universal masthead before moving directly on to the film.
Dead Men Don't Wear Plaid can't quite sustain its conceit for its entire running time, but its conceit is so generally winning that fans of Martin and Reiner will probably be willing to overlook the less than hilarious bits. Martin is a bit on the (now) politically incorrect lecherous side throughout this film, but when you have someone like Rachel Ward in the frame with you, it's hard to argue with his reaction. While there are unavoidable quality variances in both the video and audio presentation here due to the many clips from different sources being utilized, this is on the whole a solid technical presentation of a wacky film. Recommended.
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