6.7 | / 10 |
Users | 4.5 | |
Reviewer | 3.5 | |
Overall | 3.9 |
Adrenaline is high, tempers are hot, and racial tensions are boiling over. Against this explosive backdrop, LAPD detective Eldon Perry tutors his rookie partner in the realities of police intimidation and corruption as they investigate a high-profile homicide case. But as the body count rises-- and the evidence just doesn't add up - Assistant Chief Arthur Holland threatens to end Perry's brand of "justice" ...if Perry's own demons don't destroy him first.
Starring: Kurt Russell, Scott Speedman, Michael Michele, Brendan Gleeson, Ving RhamesCrime | 100% |
Thriller | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-2
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (448 kbps)
Spanish: Dolby Digital 2.0
Spanish: Dolby Digital 2.0 (224 kbps)
English, Spanish
25GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (locked)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 3.5 |
When you look back at the filmography of director Ron Shelton, he seems like a strange pick to helm a film like Dark Blue. His most successful films leading up to 2002 (Bull Durham, White Men Can’t Jump and Tin Cup) were all built around a sports theme, so you’d think he would choose to stay with the genre that worked well for him in the past. Instead, he decided to tackle a story written by James Ellroy (L.A. Confidential), with themes that reflect a vast departure from his prior work. While I can’t say Dark Blue is a resounding success as a detective story, I have to give Shelton credit for stepping outside his comfort zone, and tackling the difficult subject matter of Ellroy’s novel.
Presented in 1080p utilizing the AVC codec (at an average bitrate of 17Mbps), Dark Blue looks outstanding on Blu-ray. Whether in the foreground for the background, fine object detail is extremely crisp. From the aging features on Kurt Russell's face, to the contrastingly smooth textures on the face of Scott Speedman, I was consistently impressed with clarity in nearly every frame of the film. Thankfully, the presence of light film grain throughout the majority of the feature, coupled with well-rendered textures is proof that MGM chose to retain the appropriately gritty feel of the original production, instead of applying annoying noise reduction to remove the grain. I'm very pleased with the results, since it allowed the film to fully utilize the potential of a high-definition upgrade without softening the image. Continuing with the strengths of the transfer, I didn't detect any edge-enhancement or artifacts, and black levels were inky deep with excellent differentiation in contrast. The only thing that may be offputting to some viewers is the lack of pop in the use of color. Daytime scenes are heavily filtered to replicate the dingy, sweat-soaked atmosphere of the Los Angeles underbelly and interior shots appear almost monochromatic, highlighting the black and blue colors of the police force. Color use is completely appropriate for the subject matter of the film, but it still results in some odd skin tones from time to time and an overall lack of consistency (mostly in scenes that take place outdoors).
Ultimately, Dark Blue looks as good as it will ever look, and fans will surely appreciate the care that was shown in creating a transfer that remains true to the source material.
The primary audio offering on the disc is a DTS-HD MA 5.1 track in the native language of English. Given the gritty realism of the film itself, the audio track is forced to remain subtle in an effort to not glorify the action taking place. Don't get me wrong, there's still a high level of surround use, and a distinct pop when guns are fired, but the track rarely contains moments where you feel you're going to jump out of your seat. From a musical standpoint, I couldn't help but feel the choices were a little odd for the subject matter of the film. Terence Blanchard seems more at home creating musical numbers for such films as Barbershop or She Hate Me, with an apparent tendency to gravitate toward an upbeat, quirky element (for an example watch the early scene when the convenience store is being held up). Regardless of the musical choices made, the audio track does a wonderful job balancing the score with the effects and dialogue. I doubt this disc will meet expectations for demo-worthy material, but in the end it offers a well-blended mix of gritty realism without feeling over-the-top.
Dark Blue is one of several recent Blu-ray releases from MGM that contain a copy of the DVD release in addition to the Blu-ray. This appears to be a strategic move to provide special features without actually adding them to the Blu-ray disc itself. In general, I wouldn't consider this practice ideal (especially for anyone with an interest in director's commentaries) but it may partially account for the reasonable retail price of this Blu-ray release.
Having said that, I'm reviewing a single-disc rental copy of the Dark Blue Blu-ray, so I'm not able to comment on the DVD special features included within the retail package. The only special feature included on the Blu-ray disc is a collection of five high-definition trailers (Dark Blue, The Usual Suspects, Windtalkers, Flyboys and Rocky).
Taken as a whole, I'd recommend this Blu-ray release to anyone with a moderate interest in this type of film genre. If the transfer wasn't exceptionally sharp, or the audio track was muffled, I'd have to taper down my assessment of the release and focus more on the underwhelming merits of the film itself (which would likely result in a rental recommendation rather than purchase). As it stands, Dark Blue is far from masterpiece material, but sufficiently entertaining to earn a spot next to Street Kings, The Black Dahlia, or any other marginal detective story released in the past several years.
Special Edition
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2007
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1989
2014
The Dirty Harry Collection
1976
2002
Special Edition
2003
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