6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Wealthy playboy Xie Yifan has never met a woman he can't have, but the one he desires the most is businesswoman Mo Jieyu, who plays the cynical game of love and lies just as well. The two decide to make a bet on the chastity of Yifan's second cousin, virtuous widow Du Fenyu. If Yifan succeeds in bedding Fenyu, he gets Jieyu. And thus begins the dangerous push and pull of love and seduction.
Starring: Zhang Ziyi, Cecilia Cheung, Jang Dong-gun, Lisa Lu, Shawn DouForeign | 100% |
Drama | 50% |
Romance | 22% |
Period | 11% |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
Mandarin: DTS-HD Master Audio 5.1
Mandarin: Dolby Digital 2.0
English, Mandarin (Traditional)
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 1.5 | |
Overall | 3.5 |
Opera lovers and Shakespeare fans are used to seeing classic works transported to other times and places, part of any given director’s attempts to invest the property with his (or her) “vision”. Reviewing as much opera as I do, I’ve become immune to being shocked by such so-called Eurotrash reimaginings that, say, place Richard Strauss’ Elektra in something akin to an S & M gay bar (no, I’m not kidding), and being as relatively geographically close to Ashland, Oregon’s vaunted Shakespeare Festival as I am, I also tend to be nonplussed by such sights as All’s Well That Ends Well transported to 1930’s gangland Chicago. As with any directorial choice, sometimes these gambits work, and sometimes they don’t. What tends to sink conceits like these is more often than not a director who imposes his (or her) vision on a property that really doesn’t withstand such an imposition, creating a jarring dichotomy between source and presentation. Directors who stay true to the original concept while “gussying it up” (so to speak) often can find innovative new ways to present hoary works and to even occasionally make some salient, if subtle, commentary on them by virtue of the new setting. The 2012 Chinese film Dangerous Liaisons is merely the latest in a long string of adaptations of the eighteenth century novel Les liaisons dangereuses by Pierre Choderlos de Laclos. Laclos’ novel was adapted for the stage by Christopher Hampton in the 1980s, which in turn served as the source for the acclaimed 1988 Stephen Frears film which starred John Malkovich, Glenn Close and Michelle Pfeiffer. A year later Milos Forman revisited the same material, courtesy of the original novel this time, in Valmont, which starred Colin Firth, Annette Bening and Meg Tilly. For the purposes of this review, however, probably the most salient comparison would be to 1999’s Cruel Intentions , a film which recast Laclos’ novel in the hoity-toity world of spoiled rotten rich urban teenagers in a contemporary timeframe. That film jettisoned much of its putative source material in favor of a kind of snarky tone that admittedly rather admirably captured the bad behavior of its young “protagonists”. The 2012 Chinese film, on the other hand, toes a more reserved line, staying much truer to Laclos’ original novel in terms of plot and to a lesser extent characters, simply lifting them whole cloth and plunking them down in 1930’s China rather than pre-Revolution France.
Dangerous Liaisons is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.35:1. This Super 35 film is often a gorgeous sight to behold, especially strong in its emphasis on golds and yellows, which permeate a lot of sequences. Director Hur Jin-ho and cinematographer Kim Byung-seo tend to favor midrange and close- ups throughout the film, which allows this high definition presentation to burst with fine detail, especially with regard to some of the gorgeous costumes and sets (take a look at the feathery fur collar in the first screenshot accompanying this review for a good example). They also tend to favor some gimmicky shots at times, such as a fisheye lens to introduce one of the palatial manses where the drama takes place, effects which seem at odds with historical setting of this version (in fact, there's a lot of anachronistic elements, from music to hairstyles, that may trouble more persnickety viewers). Colors are very nicely saturated throughout this presentation, with equally strong and consistent contrast. A couple of green screened CGI backgrounds look patently fake and very soft, but that is endemic to the elements not a problem with this transfer. The transfer retains a very naturally filmic appearance, and aside from some very minor stability problems in a couple of establishing shots, this is a very lustrous looking Blu-ray.
Dangerous Liaisons features a lossless DTS-HD Master Audio 5.1 mix in the original Mandarin which is quite excellent but which may seem more restrained than some would expect from a lavish historical "epic" like this. The fact is, for all its sumptuous production design, Dangerous Liaisons tends to play out in relatively small scale dialogue scenes, and this DTS track supports those moments excellently. There are a number of large scale scenes as well, including a couple of big parties, as well as some shots out in the streets of Shanghai, and in those moments some noticeable surround activity kicks in, creating appealing and natural sounding aural depth of field. Fidelity is excellent, though dynamic range is rather limited.
Without lapsing into political incorrectness, part of what hobbles this version of Dangerous Liaisons is how polite everyone is. The source material here cries out for scheming, plotting and emotional desperation, none of which really invests this version. Still, this is an uncommonly beautiful film, and those who are curious in seeing a fairly recognizable story told in a radically different fashion may want to check this version out. The Blu-ray does offer superior video and excellent audio, though supplementary materials are pretty slim.
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