7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Shortly following their impulsive wedding, the naive, young Nazar is pressured by his family into divorcing his new wife, Reyhane, after rumors circulate of her mother's possible sex-work. Still deeply in love, he insists on paying back Reyhane's marriage dowry despite his insolvency. Nazar is soon on the run from creditors and finds himself hiding out in the desert where he meets a taciturn old snake hunter. Much to the man's chagrin, Nazar insists on working with the hunter until he earns enough money to return to the city and make good on his mistakes. "Engrossing and eye-catching" (Variety), Farhadi's debut feature "Dancing in the Dust" ultimately reveals itself to be a tale of love, sacrifice, and redemption.
Starring: Yousef Khodaparast, Baran Kosari, Faramarz Gharibian, Saeed Noorullahi, Mitra Tabrizi| Foreign | 100% |
| Drama | 80% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Persian: LPCM 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 1.5 | |
| Overall | 4.0 |
Note: This film is available on Blu-ray as part of Film Movement's release of The Early Films of Asghar Farhadi.
Asghar Farhadi became a member of a rather exclusive club in Academy Awards history when The Salesman won for Best International Feature Film, becoming the second film by Farhadi (after A Separation) to be so feted. Only a few other legendary names
like Vittorio de Sica, Ingmar Bergman, Akira Kurosawa and Federico Fellini have been able to shepherd more than one of their films to that honor
(which is officially bestowed upon the country of origin, even if it's tradition for the director to receive it at the ceremony). This double feature from
Film Movement's Film Movement Classics imprint offers Farhadi's first two features as writer and director (he had previously co-written a feature called
Low Heights which is not yet in our database), and for those who have seen either A Separation or
The Salesman, this duo probably unsurprisingly explores some of the same ideas and themes of Farhadi's later work, and they both certainly
provide an absolutely visceral (if at times downright disturbing) view of contemporary Iranian culture.


Dancing in the Dust is presented on Blu-ray courtesy of Film Movement Classics, an imprint of Film Movement, with an AVC encoded 1080p transfer in 1.85:1. Film Movement tends not to provide a ton of technical information about their transfers, and there's only a "new 2K restoration" offered on some of the packaging of this release. This is an appealingly organic looking presentation with a rather pronounced grain field at times, especially in some of the barren desert material. Occasional variances in color temperature can be spotted, with some passing moments that can be a little on the brown side, something perhaps exacerbated by the very colors emphasized in the desert sequences. On the whole, though, the palette is very nicely suffused and actually rather vivid at times, especially with regard to some of the bright colors on outfits that are worn. Detail levels are generally precise throughout, though a few scenes when Nazar is hiding out in the van are slightly hobbled by an absence of light.

Dancing in the Dust features a nice sounding LPCM 2.0 Mono track in the original Persian. While there is some consistent background hiss and noise discernable, it never seriously distracts from a nicely rendered track that supports both a really evocative score which includes some haunting wordless vocals, and some ambient environmental effects, especially in the desert sequences. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


"Nothing is private here", a cleric kind of dismissively tells the young couple as things begin to fall apart, and that "Big Brother is watching" ambience hovers over this film, even when it becomes a veritable "two hander" in the desert. Technical merits are generally solid, and the supplementary visual essay very appealing. Recommended.
(Still not reliable for this title)

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