| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
This anthology tells three stories: a man buys a car that takes him back and forth through time; a tale of vampires; and a distraught mother asks for her drowned son to come back to life and gets more than she bargained for.
| Horror | 100% |
| Mystery | 32% |
| Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 3.5 | |
| Overall | 3.5 |
Dead of Night is a collection of three short films, all directed by Dan Curtis, which promise "for your entertainment, three tales of mystery, imagination, and terror" as the introduction states. Indeed, the three shorts offer a full spectrum working on the human psyche that explore loss in some way: loss of dreams and loss of fate in "Second Chance," loss of control in "No Such Thing as a Vampire," and loss of life in "Bobby." Originally intended as the beginning of an anthology, Dead of Night instead now stands on its own as an effective cross-section collection of shorts that are compelling for different reasons and reach far enough apart to attract a somewhat diverse audience that will come to appreciate the swiftness, but also the depth, each tale has to offer.


Kino's 1080p Blu-ray presentation of Dead of Night is fairly consistent across the three shorts, but there is some visual variance. Here's a quick breakdown of the image basics for each short. In "Second Chance," there is some black crush at work in the opening shots, with the darkness absorbing details like bushes. That's probably the most glaring weakness with this one. Otherwise, good detailing and satisfying color expression prevail. "No Such Thing as a Vampire" is easily the best looking of the trio. Many beautiful filmic elements are in play. Look at the opening minutes. It looks much better than "Second Chance:" less diffuse, far crisper, nearly perfect in every way. Grain is steady and satisfying, too. But, black levels look washed out rather than crushed (look at about the 28:10 and 33:16 marks). White balance and brilliance are very good, especially in the well-lit bedroom shots, and colors are organically bold and pleasing. "Bobby" looks quite good, too. The dark shots — and there are many — deliver satisfying black level balance. It's imperfect, but the spread between washed out and crushed is not extreme. Detail is quite good, image crispness and grain authenticity are solid, and colors are satisfying in the low light.

A DTS-HD Master Audio 2.0 lossless soundtrack accompanies all three shorts, and across all three the results are universally identical: the track conveys the basic audio elements without much flair or flavor. It's a rather flat and unassuming listen overall, and perhaps nowhere is that so evident as it is in "Bobby," where cracks of thunder and stormy noises, vital to the plot, are bereft of any true sense of identifiable power or immersion. The sounds are present but hardly delivering the sort of "oomph" that might have benefited the scenes in which they are heard. Of course, it's not as if the original sound design was anything monstrous to begin with, so that's more an observation of the sound design limits and less a criticism of the audio encode; it's more of a "what to expect" observation. But, things like music play with suitable front-end presence, fine width across the stage, and good foundational clarity, again within the confines of the source elements. Dialogue is always intelligible across all three shorts and images nicely to the front-center area.

This Blu-ray release of Dead of Night contains a nice assortment of extra content, headlined by an audio commentary track and made for
television film. No DVD or
digital copies are included, but Kino does ship this release with a non-embossed slipcover.

Dead of Night delivers a well rounded trio of short films that range from Twilight Zone-inspired curiosity with a feel-good spin ("Second Chance") and a twisty Hammer- and gothic-esque chiller ("No Such Thing as a Vampire") to a Stephen King-like tale of resurrection and horror ("Bobby"). Kino has done well with the set, delivering solid video and audio, paired with a fine assortment of extra content. Recommended!