6.1 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
A murderer is loose in a high school in this 'whodunit' movie.
Starring: Donovan Leitch Jr., Jill Schoelen, Brad Pitt, Roddy McDowall, Martin MullHorror | 100% |
Thriller | Insignificant |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 Mono
English: Dolby Digital 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 2.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 2.5 |
A lot of film fans probably think of Thelma & Louise when considering Brad Pitt's early cinematic appearances, but by the time he essayed his memorable role in that movie, he had actually already racked up a handful of arguably less "starry" work. Starting in 1987, Pitt had a number of bit parts, all uncredited, in a number of lesser remembered films like Hunk, and a couple of higher profile outings like No Way Out and Less Than Zero, but beginning in 1988, Pitt actually got his name up there on the big screen, albeit once again in arguably lackluster fare like The Dark Side of the Sun (filmed in 1988, but not even released until 1997, which may be one indicator of its quality) and Happy Together . The Dark Side of the Sun is sometimes listed as Pitt's "first" starring role, but considering its actual release date, it might be arguable that Cutting Class deserves that appellation at least as much. Pitt is on hand in this high school slasher as all American Dwight Ingalls, who just might (but let's face it, probably isn't) a marauding murderer offing students and faculty at the film's focal school. Kind of hilariously, and vis a vis another potential suspect, while hindsight might give Brad Pitt the marquee value edge, at the time of the film's production, the "stunt casting" award may have gone to Donovan Leitch (Jr.) as another high school male, Brian Woods.
Cutting Class is presented on Blu-ray courtesy of the MVD Rewind Collection, an imprint of MVD Visual, with an AVC encoded 1080p transfer in 1.85:1. The back cover states that both MVD's 4K UHD and 1080 presentations were culled from a 2018 4K restoration from the 35mm original camera negative, which I'm assuming was a master prepared for the original Vinegar Syndrome release. That said, a comparison of screenshots will show that this version does have some noticeable differences, including a brighter overall look and what I personally consider to be more natural looking flesh tones at times (compare the first screenshot of this review with the first screenshot of Brian's review for just one example). The palette one way or the other is fairly bursting with energy, and some of the reds in particular are almost jaw droppingly vivid. There are some rough moments to be had, including the first four and a half minutes or so establishing the Martin Mull character's hunting expedition. Some of that opening roughness is due to the optically printed credits, but that roughness sure seems to last beyond any need to continue an optical, and there are some similarly gritty to the point of near pixellation moments later in some of the most dimly lit material. On the whole, though, grain resolves very tightly and detail levels are secure. There's no age related wear and tear of any import to distract.
Cutting Class offers an energetic LPCM 2.0 Mono track that capably supports the now probably quaint sounding source cues and a few passing sound effects, notably in some of the outdoor material featuring Martin Mull. The score's focus on midrange and low end synth material is unavoidably narrow but still quite full bodied. Dialogue is rendered cleanly and clearly throughout. Kind of interestingly, a Dolby Digital 2.0 (stereo) option is available as well, though any perceived opening up may be debilitated by the lossy presentation. Optional English subtitles are available.
Cutting Class ostensibly plays things for supposedly dark, blackly comic laughs, but the problem is, it just isn't that funny, and there's also virtually no suspense since the film isn't especially subtle about revealing the culprit, even given some fitful attempts at offering some (bright) red herrings. It's fun to see Pitt in such an early role, and Leitch is kind of gonzo fun as an unhinged type. There's a somewhat smarmy subtext courtesy of Roddy McDowall's lecherous principal, and the Martin Mull subplot seems like it wandered in from a nearby bus and truck version of The Great Outdoors. Technical merits are solid and the supplements very enjoyable (though it may be a little disappointing for some that neither of the audio interviews available on Vinegar Syndrome's release have made it to this one), for anyone who may be considering making a purchase.
"Bleacher" Slipcover Edition Limited to 1,247 | SOLD OUT
1989
"Axe" Slipcover Edition Limited to 1,548 | SOLD OUT
1989
"Trampoline" Slipcover Edition Limited to 1,548(SOLD OUT
1989
"Kiln" Slipcover
1989
"Photocopy" Slipcover Edition Limited to 1,294 | SOLD OUT
1989
Standard Edition
1989
Collector's Edition
1989
(Still not reliable for this title)
1982
1981
Collector's Edition
2003
2014
2013
Night Warning
1982
1987
1989
2K Restoration
1980
2019
1986
1987
Slipcover in Original Pressing
1990
1982
Unrated
2009
1990
2011
1980
1988
Director's Cut
1963