7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Two childhood best friends take divergent paths; one becomes a cop, and the other a cop-killer. The killer must grapple with confessing to a murder he did not commit in order to save his girlfriend from being framed for the crime.
Starring: Victor Mature, Richard Conte, Fred Clark (I), Shelley Winters, Betty GardeFilm-Noir | 100% |
Crime | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: LPCM Mono (48kHz, 16-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (locked)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 2.5 | |
Overall | 4.0 |
Robert Siodmak's "Cry of the City" (1948) arrives on Blu-ray courtesy of the British Film Institute. The supplemental features on the disc include an original trailer for the film; new video interview with film critic Adrian Wotton; and audio commentary by film historian Adrian Martin. The release also arrives with a 12-page illustrated booklet featuring Frank Krutnik's essay "Revisiting Cry of the City" and technical credits. In English, with optional English SDH subtitles for the main feature. Region-B "locked".
The wanted man
Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Robert Siodmak's Cry of the City arrives on Blu-ray courtesy of the British Film Institute.
The release is sourced from a new 2K restoration of the film which was completed by Twentieth Century Fox. I assume that the exact same master will also be used for the upcoming U.S. Blu-ray release from Kino Video.
Generally speaking, detail and clarity remain pleasing throughout the entire film. Depth is also good, though there are select areas where blacks appear slightly elevated and as a result some extremely light crush can be spotted. Grain is well exposed, but there are sporadic density fluctuations that can become rather obvious. However, it is clear that the density fluctuations are not introduced by poor digital work. It is possible that Fox worked with an interpositive, or that time was more unforgiving in some areas, or that there is footage coming from multiple sources. Edge-enhancement is not an issue of concern. Overall image stability is very good. Finally, a few tiny scratches remain, but there are no distracting large cuts, damage marks, or torn/warped frames to report in our review. My score is 4.25/5.00. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature.
It immediately becomes obvious that the audio has been cleaned up and stabilized. There are a couple of segments with some light thinness in the mid-range, but there are no sudden drops or spikes in dynamic intensity. Also, there are distracting distortions in the upper register. The the dialog and the music are clean and stable.
This very stylish and also unusually thought-provoking noir film from director Robert Siodmak has been recently restored in 2K by Twentieth Century Fox and looks quite wonderful in high-definition. If you wish to add the film to your collection but reside in the United States, keep in mind that Kino Lorber plan to release it on Blu-ray next month. (You can see our listing of this upcoming release here). HIGHLY RECOMMENDED.
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