5 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
The fourth installment in the Critters series picks up the action with Charlie about to destroy the last of the critter eggs. A holographic apparition warns him, however, that every species must be preserved by galactic law; the eggs are transported into deep space, and Charlie is accidentally carted along, beginning yet another freaky adventure.
Starring: Don Keith Opper, Paul Whitthorne, Angela Bassett, Anders Hove, Eric DaReHorror | 100% |
Thriller | 21% |
Sci-Fi | 6% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.86:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 3.0 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 3.5 |
In an effort to save some money and limit risk with the creation of a “Critters” sequel after 1988’s “Critters 2: The Main Course” bombed during its theatrical release, New Line Cinema elected to take the series direct to video, hoping to meet the fanbase halfway by delivering prime Crite action directly to their living rooms. The studio also decided to make two movies for the price of one, shooting “Critters 3” and “Critters 4” back-to-back, with the last installment of the franchise (at least up to this point) handed over to director Rupert Harvey, who apparently didn’t enjoy anything the series had been offering in its three previous chapters. “Critters 4” takes the action into space, unleashing the Crites on a space station, where they go about their daily business of bodily harm and reproducing in tighter confines, generating more of a haunted house viewing experience. At least that appears to be the idea behind the third sequel. What Harvey actually delivers is the worst “Critters” installment of the bunch, dropping humor and open air to play a tedious game of “Wait for the Crites,” with the titular monsters barely in the endeavor, finding more attention place on tedious human concerns. This is no way to close out an amusing set of creature features.
As with "Critters 3," "Critters 4" has not been treated to a new scan for its Blu-ray debut. Instead, the AVC encoded image (1.86:1 aspect ratio) presentation is an older master, with Shout Factory trying to spruce it up to make the most of a disappointing situation. The results are adequate but not remarkable, with detail emerging only during tight close-ups, finding some facial textures and puppet particulars. Softness remains, but ship panels and halls retain passable clarity, delivering a sense of the interiors. Colors are agreeable with bolder hues, finding control stations enjoying glowing lights and costuming delivering yellows and reds. The feature remains quite dark and muted otherwise, and delineation doesn't always preserve frame information, finding solidification during a few hunting sequences, while some mild posturization is present in the opening sequence. Remaining in sync with the "Critters 3" Blu-ray viewing experience, grain is zombified as well here.
The 2.0 DTS-HD MA sound mix doesn't have much power, electing to remain settled with a modest read of dialogue exchanges, which detail endless bickering and some interpersonal tensions among the characters, with defined shouting and screaming. Music is acceptable, leading with synth waves to sell the sci-fi movement of the picture, and electronic sounds are supportive but inherently unremarkable. Sound effects aren't amplified, keeping gun shots on the quiet side, while a climatic explosion barely registers. As with "Critters 3," this is a DTV production without theatrical ambition, leaving showier displays of sonic heft behind to achieve basic intelligibility.
"Critters 4" has actors like Dourif and Bassett trying to make a meal out of dramatic scraps, but there's only so much overacting one can endure before hope for a proper "Critters" sequel is lost. The potential of Crites in Space is there for the taking, but "Critters 4" doesn't have a bold enough director at the helm or an imaginative screenplay trying to do something strange with the low-budget norm.
(Still not reliable for this title)
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