6.5 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A deep dive into the not-so-distant future where humankind is learning to adapt to its synthetic surroundings. This evolution moves humans beyond their natural state and into a metamorphosis, altering their biological makeup.
Starring: Viggo Mortensen, Léa Seydoux, Kristen Stewart, Scott Speedman, Yorgos PirpassopoulosDark humor | 100% |
Thriller | Insignificant |
Sci-Fi | Insignificant |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 3.5 |
Writer/director David Cronenberg hasn’t crafted a feature in eight years, last seen on screen with 2014’s “Maps to the Stars,” and 2012’s punishing “Cosmopolis.” He’s a daring, original filmmaker, but Cronenberg ventured away from the darkness he’s usually drawn to, dealing with storytelling that didn’t feel like a natural fit for his sensibilities. He’s back to his obsessive ways with “Crimes of the Future,” which returns the helmer to a world of flesh and fixation, reworking the general mood of his 1970 picture, which shares the same title. Cronenberg revives his interest in the ways of human society and the pollution of mind and body, pushing the material into the worlds of performance art and detective fiction, emerging with a highly original vision for a sinister evolution. Appreciating the imagination of “Crimes of the Future” is easy, but the endeavor requires a bit more patience when getting through Cronenberg’s habitual storytelling coldness, which limits immersion into this peculiar world of surgical ecstasy.
"Crimes of the Future" largely deals with textures on everything from skin to candy, and the AVC encoded image (1.85:1 aspect ratio) protects fine detail throughout the viewing experience. Fleshy surfaces and moist innards are open for inspection, along with the odd construction of eating and sleeping devices. Costuming retains fibrousness, and interiors are distinctly decorated. Some sense of dimension remains with exterior interactions. Colors work with a cooler, more mysterious palette, but elements of blood remain vivid, along with sci-fi hues. Skin tones are natural. Delineation is satisfactory, handling extremely dark imagery at times. Compression issues are present, with banding periodically detected.
The 5.1 DTS-HD MA mix delivers crisp dialogue exchanges, securing the nuances of different performances and accents. Scoring offers a lush orchestral and industrial sound, with distinct instrumentation. Electronic music selections are also crisp, providing some low-end thump. Surrounds provide a circular sense of music, and atmospherics are appreciable with community gatherings, insect movement, and exterior environments.
"Crimes of the Future" is nowhere near as upsetting as pre-release hype from Cronenberg has promised, and fans of the filmmaker are going to recognize many motifs and fascinations from the helmer, who revisits his signature interest in the liberation of disease. There are larger ideas in play, especially climate and corporeal corruption, which keeps the feature interesting, even when it tends to wander at times, caught up in its own oddity and idiosyncrasy. "Crimes of the Future" is a fine return to form for Cronenberg, who hasn't made something this bizarre since 1999's "Existenz," clearly charged up to play with squishy guts, overheated characters, and the perversions of humankind as it deals with a future of unknown horrors and untapped consciousness.
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