6.6 | / 10 |
Users | 4.5 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Two men exploring the Lousiana swamps run into a Bigfoot-type creature.
Starring: Jack Elam, Dub Taylor, Dennis Fimple, John David Carson, Bill ThurmanHorror | 100% |
Drama | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 4.0 |
1976’s “Creature from Black Lake” provides yet another look at the pursuit of a Bigfoot-type monster in the middle of nowhere. It’s a popular topic for moviemakers, especially in the 1970s, when tales of sasquatch were all the rage, handed in a boost in popularity with a success of 1972’s “The Legend of Boggy Creek.” Writer Jim McCullough Jr. goes one step beyond the replication of a hit film, striving to merge two hit films with the work, which also hopes to summon some “Jaws”-style suspense, especially in the final act. Director Joy N. Houck Jr. (“The Night of the Strangler”) isn’t known for his flashy style, but there’s some effort made to keep “Creature from Black Lake” at least reasonably distinct, with a cinematic look to the picture helping the viewing experience immensely. And the screenplay is unusual in the way it pays attention to characters and relationships, generating a firm appreciation of motivation with a first hour that’s largely devoted to community exploration and mild detective work. Weirdly, the feature actually becomes less interesting when the monster is around, making the endeavor unusual as drive-in fodder, emerging with decent personality and bonding time.
The AVC encoded image (2.35:1 aspect ratio) presentation is listed as a "brand new 4K restoration from the original 35mm camera negative." The results are impressive, handling the feature's cinematography with care, bringing out detail with the Louisiana locations, which retain dimension. Facial surfaces are distinct, and clothing is textured. Interiors showcase decoration and decay. Colors are respectfully refreshed, providing a rich sense of greenery and bright period costuming. Store signage is vivid, and skin tones are natural. Delineation is satisfactory, doing well with evening events, which take over the movie's final act. Grain is fine and film-like. Source is in excellent condition.
The 2.0 DTS-HD MA mix deals with some elements of age and production limitations. Dialogue exchanges are acceptable, with some mild muffling, but performances are mostly appreciable, including dramatic emphasis. Scoring supports with decent instrumentation, offering a more defined presence in the final act. Sound effects are acceptable.
"Creature of Black Lake" explores intimidation from Sheriff Carter, who understands what the visitors are capable of summoning, and there's a dramatic side to the material, as Pahoo did time in Vietnam, adding to some unresolved tensions between the students once the subject of bravery comes up. It's not much, but there's more than just southern goofiness in the endeavor, and Houck Jr. has some sense of staging and visual gags, supported by cinematographer Dean Cundey, giving the effort a stronger look than the drive-in competition. What's bizarre about the film is how it deflates in the final act, suddenly interested in the monster hunt, which doesn't offer much physical interactions, while music Jaime Mendoza-Nava isn't shy about creating a "Jaws"-like sound for screen activity that isn't really there. "Creature of Black Lake" does save room for a few shockers and an ending that teases sequel possibilities, but it's not triumphant as monster movie, failing to come to a sharp, suspenseful conclusion. Instead, it's more compelling with personalities and rural atmosphere, providing decent acting for this type of entertainment, and there's some appreciation for partnerships. Perhaps this isn't what fans want from their big hairy beast distractions, but it's impressive to watch a picture like this and somewhat understand where everyone is coming from.
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