Cradle of Fear Blu-ray Movie

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Cradle of Fear Blu-ray Movie United States

Unearthed Films | 2001 | 120 min | Not rated | May 12, 2026

Cradle of Fear (Blu-ray Movie)

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Movie rating

5.7
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer3.5 of 53.5
Overall3.5 of 53.5

Overview

Cradle of Fear (2001)

Cradle of Fear tells four tales all wrapped around the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail of charnel house death in his crimson wake, the cannibal convict forces two Goth vamps to endure a one night stand from hell, two tough female robbers to see through each other, an obscenely rich coke-head to chop up more than a few lines and an internet surfer to descend into madness when he uncovers the ultimate web depravity.

Starring: Emily Booth, Al Stokes, Dani Filth, Stuart Laing, Edmund Dehn
Director: Alex Chandon

Horror100%
Erotic2%

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.66:1
    Original aspect ratio: 1.66:1

  • Audio

    English: LPCM 2.0 Mono (48kHz, 24-bit)

  • Subtitles

    English SDH

  • Discs

    Blu-ray Disc
    Two-disc set (2 BDs)

  • Packaging

    Slipcover in original pressing

  • Playback

    Region A (B, C untested)

Review

Rating summary

Movie3.0 of 53.0
Video3.5 of 53.5
Audio3.5 of 53.5
Extras4.5 of 54.5
Overall3.5 of 53.5

Cradle of Fear Blu-ray Movie Review

Reviewed by Justin Dekker July 30, 2026

Director Alex Chandon's ('Inbred', 'Bad Manor') 2001 film 'Cradle of Fear makes it North American Blu-ray debut courtesy of Unearthed Films. The film stars Cradle of Filth front man Dani Filth in his first major screen role alongside Emily Booth ('Witchcraft X: Mistress of the Craft', 'The Reverend'), and Eileen Daily ('Razor Blade Smile'). The disc features a solid audio and video presentation. This release is stacked with a host of on-disc supplemental features with the addition of a second Blu-ray disc of Chandon's short films. A slipcover is also included, but a digital code is not.

Convicted child murderer Kemper (David McEwan), now locked safely away in an asylum, is out for revenge. To that end, he directs The Man (Dani Filth), an ominous being of almost supernatural ability, to kill those who he feels are responsible for his conviction and incarceration. As the bloody trail of bodies grows, it is up to the obsessive and strange Inspector Nelson (Edmund Dehn) to unravel the clues and put a stop to the senseless carnage.


Alex Chandon had directed several music videos for extreme metal legends Cradle of Filth, including one for what is arguably one of the band's most enduring tracks, "Her Ghost in the Fog", in 2000. Given the band's theatrical nature, both musically and with regard to their concert staging, it's no small wonder that Chandon would want to cast Cradle's front man Dani Filth (real name Daniel Davey) as the supernatural death dealer called "The Man". For those who have seen Cradle of Filth live, he looks much the same here he does on stage, save for fact that both his makeup and attire a bit less elaborate. But at his essence, he's unchanged. While known for his carefully-crafted and lengthy lyrics, laden as they are with gothic imagery, double entendre, and literary as well as cinematic references, it's passing strange for a performer as verbose as Filth, both on-stage and off, that this performance would receive such short shrift with regard to dialogue. This, though, is perhaps in keeping with some of horror cinema's other most prolific killers. Most, including Jason and Michael Meyers, weren't exactly chatty, with the loquacious Jason and Chucky being obvious outliers in that fraternity. Rather than a menacing threat or turn of phrase, instead Filth is required to bring the terrifying goods with only his prodigious presence and a withering glance. Thanks to his primary occupation, that's something he can accomplish with ease. Having had the chance to see the band on their most recent stop to my fair city a few months ago, I was pleased to see that Filth hasn't lost even the slightest shred of that vaunted presence on which he relies so heavily in this film in the years since its creation.

Cradle of Fear which obviously trades on the band's name recognition, popularity, and the singer with its title, is a low-budget film in the tradition of Amicus's portmanteau Asylum from 1972 which starred Peter Cushing, Britt Eckland, and Herbert Lom. There, as here, there is something of a wrapround story that connects a series of shorter vignettes which would otherwise seem disparate. While Amicus's films of this nature (which includes The House That Dripped Blood, a perennial favorite of mine) have always possessed an elevated aura, granted by both their accomplished cast members and high production values, this isn't the case with Chandon's Cradle of Fear. No, this film aims for the grimy, dirty, bloody, gory, or bizarrely disturbing with virtually every shot, with its low-budget sensibilities found at every turn.

Indeed, "filth", the word that my brain wants to use to complete the film's title is ever present. The bedroom where The Man hooks up with young woman from a club in the first chapter is far from passing muster in regard to good housekeeping. The same is true for many other environments, from streets scenes to the police headquarters. Even the showers and bathtubs where various female cast members try to wash away their various worries, sins, and horrors don't look like they should necessarily make anyone any more clean for having spent time there. Even our "hero" of the film can't escape a certain level of grime that is baked into the film's visual identity. Inspector Nelson is as strange, off-putting, disheveled, sweaty, and in need of a shave and three as any cop to ever grace the silver screen.

Other than Dani Filth's casting, the film is perhaps most noteworthy for the impressive practical effects and the accompanying level of gore. Fingers are removed, skulls are bashed, torsos are repeatedly stabbed and their contents excavated in a manner most convincing. While not the goriest film I've seen, the film doesn't exactly pull any punches - it accomplishes exactly what it sets out to do. And though the descriptive phrase was first used to describe Roman Polanski's Macbeth, the stories at the core of Cradle of Fear also demonstrate that "life is cheap, violent, and short". It should, however go without saying that none would confuse this script with one of the bard's plays, nor this film with any big screen adaptations of Shakespeare's works. But that's not Cradle of Fear's raison d'être. All it needs to do is deliver Dani Filth being Dani Filth, a bit of titillation, and a healthy dose of blood and gore, and it's got those things in spades.


Cradle of Fear Blu-ray Movie, Video Quality  3.5 of 5

Shot on video two-and-a-half decades ago, the image on display here shows the limitations of its source material, and as such it's a bit of a mixed bag. The picture can look reasonably sharp when dealing with close-ups, where detail levels are acceptable, but are never pin-point accurate. But, the typical SOV softness takes hold when mid-range on longer shots are employed, putting precise environmental and character details out of reach. Colors aren't quite as satisfactorily saturated as those shot on film in the same era, but this is in line with other SOV projects that have made their way to Blu-ray. As the film is relatively grimy and dark in nature anyway, the concept of popping primaries would be anathema to the proceedings here. The film isn't meant to dazzle, but to disgust. Blood, and there is a great deal of it on display every few minutes, looks pleasingly deep, sticky, and viscous, within the film's palette. Skin tones can vary a bit from scene to scene, depending on things like lighting, make-up, location, and the like, but are often relatively healthy looking and realistic enough. Colors can occasionally bleed, and ghosting and blooming raise their heads from time to time as well. With expectations held in check given the source, fans should be pleased with how the film looks here. Those used to products from major studios that are shot on film may struggle to connect with the look of the Cradle of Fear, but for those who have spent a fair amount of time with SOV films and have developed an affinity for them, they'll find much to enjoy.


Cradle of Fear Blu-ray Movie, Audio Quality  3.5 of 5

Cradle of Fear's LPCM 2.0 Stereo track is the only option sonic option available. Neither flashy or impressive, it's a workmanlike track that handles the mayhem here well overall. Screams and physical violence (such as stabbings, blunt force trauma to the head, and the like) are competently addressed. Dialogue, too, is consistently clean and clear. The score is typically courtesy of some of Cradle of Filth's tracks from their albums up to this point, with those from 2000's Midian being the most recent. This brings us to a more point that will be of greater importance for the band's fans. While there is a fair amount of music from Cradle of Filth found in the film, and while it is rendered well-enough given the tracks constraints, those looking for a more accomplished or ambitious presentation of their music will be somewhat disappointed. Bass support here, by definition, is not up to the task of crafting thundering drums or bass lines, leaving their typically heavy sound a bit light, and with the complex instrumentation suffering a bit from the confined sound stage. Still, for what it is, the audio track is very much in keeping with the project's SOV roots and does its job.


Cradle of Fear Blu-ray Movie, Special Features and Extras  4.5 of 5

Unearthed has provided Cradle of Fear with a frightening amount of on-disc supplemental material with the "Making Of" feature produced for the German DVD and the second Blu-ray disc of Chandon's short films being the most intriguing.

Disc One: Extras

  • Some Making of 'Cradle of Fear' (12.06) - This feature is essentially comprised of raw behind-the-scenes footage that than being the typical EPK short.
  • Important Words (11.41) - Chandon shares his thoughts on a variety of topics, demonstrating his unique and frequently profane sense of humor. Some content may be quite triggering for some viewers.
  • The Special German DVD Making of Thingy Something for Cradle of Fear (42.14) - Chandon's disembodied floating head s superimposed over raw behind the scenes footage as he discusses various scenes, effects work, and other topics, as he and others from the production appear on-screen.
  • Behind the Scenes Gallery (9.28) - Stills from the film, publicity shots, and other images auto-advance to a variety of haunting and grisly sounds and beats.
  • Trailer 1 (1.49) - The trailer is set to Cradle of Filth's "Lord Abortion" which is found on their album Midian
  • Trailer 2 (1.01) - The trailer is set to instrumental music from the film.
  • Trailer 3 (1.12) - The trailer is set to Cradle of Filth's "Suicide and Other Comforts" which is found on their album Bitter Suites to Succubi.
Disc Two: Alex Chandon's Shorts Collection

A collection of Alex Chandon's short films, promos, and trailers are found on this disc. Audio and video quality varies based on the era and the limitations of the source material. Low-budged chills and thrills abound.

  • Chainsaw Scum****(1988) (7.01)
  • Bull**** News (19XX) (2.33)
  • Bad Manor(1989) (41.09) - (With Trailer.)
  • Bad Karma (1991) (36.19) - (With Gallery, Outtakes, and Trailer.)
  • Drillbit (1992) (32.11) - (With Gallery, and Trailer.)
  • Film Extremes 3 Promo (1993) (4.16) - (With Outtakes and Trailer.)
  • Pervirella Trailer (1997) ()
  • Night Pastor (1998) (9.28) - (With Gallery and Trailer.)
  • Borderline (2005) (4.04)


Cradle of Fear Blu-ray Movie, Overall Score and Recommendation  3.5 of 5

By way of full disclosure, I am a long-time fan of Cradle of Filth, as should be obvious to anyone who's read this far. It is, however, more than fair to say that for all its merits the film is not without its faults. Pacing can be slow, editing could have been more crisp, and with a runtime twenty or so minutes shorter the film could have been much more memorable and intense. Given its origins, the film likely looks the best it will ever look here, and Unearthed has assembled a meaningful and comprehensive assortment of extras. For fans of the band and/or of this gory and grimy film, Cradle of Fear comes strongly recommended.