7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Danny Gold is hilarious on stage, and a nightmare everywhere else. He brings the intensity of a Lenny Bruce performance to every aspect of his life -- friendships, work, love, sex, and amphetamine abuse. Danny crashes through the Lower East Side like a human wrecking ball, leaving a path of ruined relationships and burnt bridges in his wake. Every success makes him more intent on self-destruction, and no one can stop watching... or laughing.
Director: Matt Mitler| Comedy | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 3.5 | |
| Extras | 4.0 | |
| Overall | 3.5 |
Improv comedy can range from the sharp and hard-hitting to the mundane and unfunny. Cracking Up is somewhere else entirely, if it can even be placed on any genre spectrum at all. Performance art in the vein of Borat and its ilk, the comedy here is in watching the unknowing, the unprepared and the uninvolved everyman suddenly be thrust into the midst of craziness, encountering the film's cast mid-act and being confounded by the bizarre antics unfolding before their very eyes. The self-aware, audience-winking misadventures vary in absurdity and brazenness, with plot being a secondary concern, and feature Kauffman-esque comedian Matt Mitler in front of and behind the camera as actor, director, writer and editor. Taking advantage of the clueless for our amusement -- as if our reaction is the only thing in the room that matters -- stands on the shoulders of the hidden-camera hilarity of old and manages to push boundaries, leading us into things far ahead of its time (circa 1994).


Art Label presents Cracking Up with a terrific 1080p/AVC-encoded transfer minted from its original 16mm film elements. The resulting presentation won't be as crisp and clear as modern film fans are used to, but it's no less impressive given its subjective limitations. Colors are bold and beautiful, popping off the screen with a ferocity and intensity that matches Gold's insanity beat for beat. Black levels are rich and satisfying, with surprisingly excellent delineation and very little in the way of crush. Detail delivers too. Edge definition is clean and relatively refined, grain is consistent and filmic, and textures still manage to create a convincing array of well-resolved close-ups. Man-on-the-street segments are less polished, but such is the cost of spontaneity and the film's blend of live performance art and unanticipated hilarity. Through it all, though, blocking, banding and other encoding issues are kept to the barest of minimums and the 1994 photography looks as good as it conceivably could.

Cracking Up also features a DTS-HD Master Audio 2.0 stereo mix that's faithful to the film's original sound design, sometimes to a fault. While scripted scenes are given the TLC required to grant the listener clear, intelligible voices, solid prioritization and engaging soundscapes, scenes on the street or on the fly suffer from everything from crowd noise to wind hiss to the cries and jeers of passersby. Granted, none of it comes as a surprise. This is the film and footage as it was captured, but Art Label hasn't done much to counter any distractions. Does it spoil the experience? Goodness no. It almost enhances it. But as the line between refined audio track and dutiful mix blurs, the lossless audio becomes less and less memorable.


Cracking Up isn't for everyone but it is funny, wickedly funny at times, and it paints an absurdist portrait of NYC in the '90s sure to delight fans of the period. Art Label's Blu-ray is a strong one too, with an excellent video presentation, both color and black & white versions of the film, a solid lossless audio track, and a host of extras (both vintage and newly recorded).
(Still not reliable for this title)

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