6.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Two friends discover mysterious items in a countryside guesthouse, including a hanging cat.
Starring: Sabine Azéma, Jean-François Balmer, Johan Libereau, Ricardo PereiraForeign | 100% |
Drama | 73% |
Surreal | 18% |
Mystery | 10% |
Dark humor | 3% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
French: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 4.0 |
Writer/director Andrzej Zulawski is perhaps best known for his 1981 endeavor, “Possession,” an authentically bonkers feature that’s breathtakingly nightmarish and unhinged. “Cosmos” welcomes the helmer back to a similar playground of madness, making a return to filmmaking after a 15 year absence. “Cosmos” is also Zulawski’s final movie (he passed away earlier this year), but it’s another doozy. Replacing horror with a macabre mystery, the effort successfully braids the unexplainable with the unknowable, transforming a simple visit to a country house into a carnival of warped behavior.
The AVC encoded image (1.85:1 aspect ratio) presentation provides a bright, dimensional viewing experience for "Cosmos." Detail is sharp and inviting, handling the strange textures of the cinematography with ideal clarity. Make-up work is especially appealing, while interiors also remain crisp. Colors are distinct, with powerful primaries, and skintones are natural. Delineation remains communicative despite some intense evening sequences.
The 5.1 DTS-HD MA sound mix isn't excitedly immersive, but surround activity is present for musical moments and atmospherics, handling outdoor adventures with distances. Dialogue exchanges are crisp, with a full sense of drama and hysteria without distortive extremes. Soundtrack selections and scoring are compelling, with clean instrumentation.
To embrace "Cosmos" takes a special type of concentration and patience with the concept of cinematic aimlessness and all the virtues of abstraction. Amazingly, the feature is seldom dull, always maintaining nervous energy, even with a few missteps with overbearing actors and overlength issues. "Cosmos" isn't for everyone, and I'm not entirely convinced Zulawski was actually making this picture with an audience in mind. It's a distinct mission of delirium that's always eager to cross cinematic boundaries and challenge perception, capping the director's career with a film that poetically sums up his moviemaking interests.
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