6.7 | / 10 |
Users | 3.3 | |
Reviewer | 4.5 | |
Overall | 4.3 |
Caius Martius 'Coriolanus', a revered and feared Roman General is at odds with the city of Rome and his fellow citizens. Pushed by his controlling and ambitious mother Volumnia to seek the exalted and powerful position of Consul, he is loath to ingratiate himself with the masses whose votes he needs in order to secure the office. When the public refuses to support him, Coriolanus's anger prompts a riot that culminates in his expulsion from Rome. The banished hero then allies himself with his sworn enemy Tullus Aufidius to take his revenge on the city.
Starring: Gerard Butler, Ralph Fiennes, Brian Cox, Jessica Chastain, Vanessa RedgraveDrama | 100% |
War | 59% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, Spanish
25GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (locked)
Movie | 5.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.5 |
Coriolanus is one of those Shakespeare plays that few people have ever heard of (other than academics), and fewer still have seen performed. None of its characters are iconic figures—unlike, say, Hamlet brooding, Lady Macbeth washing her hands, Romeo and Juliet doomed in their young love or King Lear beset by ungrateful daughters—and its language hasn't permeated common speech like Hamlet and The Tempest. (If you think I'm exaggerating, listen for the next time someone refers to the "mind's eye" -- Hamlet or a "sea change" -- The Tempest.) Coriolanus remains a remote and unpopular work, ignored except by an occasional provocateur like T.S. Eliot, who famously claimed that the play was superior to Hamlet. People listened politely, because Eliot was an eminent poet and critic, but no one agreed. The play's lack of popularity is fitting, because its title character disdains popularity and scorns the public. The irony is that he's devoted his life, and risked it repeatedly, to defending those same people as a soldier. Caius Martius Coriolanus (the last name is an honorary title awarded after a major victory) is Rome's greatest general, but he is only fully at home on the battlefield. His downfall comes when he yields to the entreaties of family and friends to enter politics, for which he has neither the appetite nor the skill. He's a difficult character to portray, because he's a man of action not words, and he does as little to curry favor with an audience as with the Roman populace. Shakespeare didn't give Coriolanus any introspective soliloquies or light-hearted scenes with friends or family, where he shows another side of himself. "Make you a sword of me!" he yells to his men as he leads them into battle, and the image sums up his entire character. He is always and everywhere an unyielding weapon, most useful when hurtling forward toward an enemy. Ralph Fiennes played the part in a British stage production in 2000 and became fascinated with transforming the play into a film, which had never been done previously. Fiennes is the ideal performer for the role. There's a fine line between Coriolanus and a pure villain, and no actor of his generation has demonstrated such subtlety in portraying screen villains, from the casually vicious Nazi commander Amon Goeth (Schindler's List) to the homicidal Francis Dolaryhyde (Red Dragon) to the ruthless gangster Harry (In Bruges) and, of course, the theatrically grandiose Valdemort (assorted Harry Potter films). Fiennes partnered with playwright and screenwriter John Logan (Gladiator, Hugo and The Aviator, among others) to pare down Shakespeare's text to the essential exchanges between characters and reconceive the rest in cinematic terms. Fiennes took on directing duties himself, and he'd obviously been paying attention during many years spent on sets with some of the world's great directors. The result is a thoroughly modern war film populated by the kind of vividly specific characters that could only have come from the greatest playwright in the English language.
Appropriately enough for a film that echoes so many of The Hurt Locker's themes, Coriolanus also shares its cinematographer, Barry Ackroyd. (His other credits include United 93 and The Green Zone for Paul Greengrass, as well as the recent Contraband.) Ackroyd gives the battle scenes in Coriolanus the same gritty immediacy he supplied for Katherine Bigelow's Oscar winner, but both he and Fiennes are careful to minimize the use of the camera style commonly known as "shaky cam". There's just enough of it to convey the soldier's shifting point of view, but generally the battle effects are achieved by other means, including odd angles, variable speeds and desaturation. The film was completed on a digital intermediate, and Anchor Bay's 1080p, AVC-encoded Blu-ray was presumably sourced from the digital files, thereby providing a faithful rendering of the finished film. Detail is excellent, grain patterns appear natural (to the extent they have survived the DI process), and the filmed sequences have been skillfully blended with the "found" footage culled from news reports (primarily from the war in Kosovo) so that it's often hard to tell what's been faked and what's real. Within the imaginary world of the film, the Serbian locations contribute a strong sense of reality, and the Blu-ray's impressive reproduction of the imagery is essential to the film's impact. Even though the film has numerous kinetic sequences, the lack of any major video extras has allowed Anchor Bay to get away with releasing this two-plus hour film on a BD-25.
There's a saying that war is good for business, but it's also good for sound designers. Particularly in its opening half hour, the DTS-HD MA 5.1 track of Coriolanus is positively unnerving in its evocation of the hell of an urban firefight, with automatic weapons fire from all sides, explosions, debris and rocket fire. In the Roman sequences, where political intrigues are always brewing, the sound of the crowd that will ultimately banish the general from the city fills the soundfield, sometimes as an ominous murmur, sometimes as a roaring chant of disapproval. A different kind of roar is heard after Coriolanus strikes his alliance with Aufidius and inspires admiration among his men: raucous, boisterous, but also dangerous. The sound design ensures that the viewer is always aware of these forces that are either raining down destruction or on the verge of doing so. Long passages of the film proceed as visual storytelling, without dialogue. However, the mixers have been careful to ensure that the actors are fully audible when they deliver the portions of Shakespeare's text that Logan and Fiennes deemed essential (Fiennes speaks to this point on the commentary). One of the great advantages of Shakespeare on film is that it frees an actor to explore an entire range of volume for delivering the lines. In Coriolanus, Vanessa Redgrave's Volumnia is the chief beneficiary of this technical enhancement, as she explores every nuance of the steely mother's manipulative relationship with her warrior offspring, often speaking the harshest sentiments in a voice barely above a whisper. On the Blu-ray's track, you can hear every word.
If you're a Shakespeare fan, you should get this Blu-ray, because you're not likely to see a production of Coriolanus anytime soon, and if you do, it probably won't be as effective. If you're a fan of war films, you should get this Blu- ray, because it's a unique and enthralling war film. If you're a fan of fine drama, you should get this Blu-ray, because it features some of the finest actors working today giving great performances. And if you're none of the above, well, you should get this disc anyway, because it's terrific stuff.
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