| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Follows Cora, who feels that her relationship is not going well. She goes back home to win her girlfriend back but she will realize that it's much more than her love life that needs salvaging.
Starring: Chelsea Peretti, Manny Jacinto, Thomas Mann (V), Jen Tullock, Ayden Mayeri| Drama | 100% |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.00:1
Original aspect ratio: 2.00:1
English: DTS-HD Master Audio 5.1
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
| Movie | 3.5 | |
| Video | 3.5 | |
| Audio | 4.5 | |
| Extras | 3.0 | |
| Overall | 3.5 |
Director Hannah Pearl Utt impressed with her last endeavor, 2019’s “Before You Know It,” blending interests in comedy with something more sincere when dealing with character yearnings and foibles. Utt returns to a similar dramedy landscape with “Cora Bora,” following the misadventures of a young woman attempting to handle herself with care, only to end up in impossible situations of longing and awkwardness as she tries to reconnect with her past. The picture also offers a starring opportunity for actress Megan Stalter, who’s been particularly good about stealing scenes in recent efforts (including “Sometimes I Think About Dying” and “Please Don’t Destroy: The Treasure of Foggy Mountain”), and she’s terrific here, handling the turns found in the screenplay (by Rhianon Jones), which tracks a bumpy road of maturation. “Cora Bora” is a little lumpy at times with pace, and a few supporting characters seem superfluous to the odyssey, but the feature remains involving and empathetic, detailing a specific stretch of emotional unrest.


The AVC encoded image (2.00:1 aspect ratio) presentation handles the HD-shot look of "Cora Bora" satisfactorily. Lighting moods are appreciable, ranging from golden intimacies to hotter stage time. Greenery is distinct as the tale moves to Portland. Costuming is also secure, exploring primaries, and room decoration delivers stable colors. Skin tones are natural. Detail is acceptable, exploring skin particulars on the cast, along with fine hairs. Interiors are open for inspection with plenty of decorative elements, and exteriors remain dimensional. Delineation is acceptable, with some flatter blacks at times, especially around evening activity. Mild banding is also detected.

The 5.1 DTS-HD MA mix secures the gentle moods of "Cora Bora," delivering crisp dialogue exchanges that balance argumentative moments with softer confessional ones. Intelligibility is never threatened. Music plays a key role in the picture, and it's pleasingly defined here, going from acoustical performances to delicate scoring cues. Soundtrack selections offer a bit more presence, including sharp vocals. Surrounds are limited, as the listening experience is primarily frontal. Low-end maintains some heavier beats. Atmospherics are appreciable.


While "Cora Bora" seems like a comedy, setting the main character up in tricky situations she works to escape using wit and mischief, it eventually gets very real. There's a reason why Cora left Portland, and she's also dealing with a broken heart with Justine, forced to recognize her own faults and ways of coping. The hard turn into sadness isn't smoothly handled by Utt, but the character arc remains tender and authentic, giving Stalter a chance to flex some dramatic muscles. She impresses here, locating layers to Cora as she learns more about herself, backed with capable turns from Gibbs, and Mayeri is especially poignant as the woman caught up in something that doesn't involve her. "Cora Bora" regains its equilibrium in its final moments, with Utt finding a graceful way to deal with Cora's sense of closure and overall mental health in this engaging character study.