5.9 | / 10 |
| Users | 3.8 | |
| Reviewer | 4.5 | |
| Overall | 3.8 |
Eight people go on an expedition into the Congo, an expanse of Africa where the laws of nature have gone berserk. When the thrill-seekers, some with ulterior motives, stumble across a race of killer apes, they must fight their way out of the dark.
Starring: Laura Linney, Dylan Walsh, Ernie Hudson, Tim Curry, Grant Heslov| Adventure | Uncertain |
| Action | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (locked)
| Movie | 2.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 4.5 | |
| Overall | 4.5 |
In 1993, there was “Jurassic Park.” The feature was born to become event cinema, putting director Steven Spielberg to work transforming a Michael Crichton book into a must-see movie, and even better, the effort delivered on a huge scale. It was a technical marvel and a thrilling ride, and because “Jurassic Park” fulfilled its monetary and creative potential, Hollywood clearly wanted another one. “Congo” is also based on a Crichton book, and one that returns to the deep jungle to revisit exploration and animal threats, but there’s no Spielberg to be found here. Instead, there’s Frank Marshall, Spielberg’s trusty producer who helped bring classics such as “Raiders of the Lost Ark” and “Poltergeist” pass the finish line. Marshall’s directorial career started with promise, finding some sensitivity in 1993’s “Alive,” and he channeled his boss’s way with suspense in 1990’s “Arachnophobia.” “Congo” seems like a slam-dunk production, but the dino odyssey was smoothly crafted and superbly acted. The gorilla chiller is clunky, campy, and strangely ineffective when summoning big screen thrills.


Screencaps are taken from the Blu-ray.
"Congo" was previously issued on Blu-ray in 2014. The new UHD release from Vinegar Syndrome is listed as "newly restored from its 35mm original
camera negative," and opens with an information card highlighting issues with the source, as faint white scratches periodically appear on the negative.
The damage is visible during the viewing experience, but is never distracting. The Dolby Vision presentation does quite well overall, offering strong
colors that bring out the vividness of greenery during the jungle adventure. Costuming and computer gear provide sharp primaries, keeping blue lasers
distinct, and volcanic activity retains a rich redness. Skin tones are natural. Detail is excellent, capturing skin particulars on the human characters, and
fine hairs on the gorillas. Outdoor movement remains deep and textured, exploring jungle encounters and stonework on temple visits. Interiors are
dimensional. Blacks are deep, preserving evening activity and some shadow play. Highlights are tasteful. Grain is nicely resolved.

The 5.1 DTS-HD MA mix offers sharp dialogue exchanges, maintaining clarity with broad accents and Amy's electronic voice. Scoring cues are sharp, with defined instrumentation as peaceful flutes and tribal sounds support the adventure mood of the picture. A few musical moods slip into the surrounds, adding some circular intensity at times, joined by climactic action involving malevolent gorillas and gunplay, adding brief panning effects. However, this remains a largely frontal listening event, but fullness registers nicely. Low-end perks up during moments of violence and volcanic activity.


"Congo" has all the ingredients for a thrill ride, and it delves into the cinematic playground of the jungle adventure, serving up hostile encounters with hippos and gorillas. There's also time spent around African instability to add a sense of the real world. However, Marshall can't seem to handle such enormity, keeping the feature strangely stiff when it comes to action, missing the usual lubrication Spielberg puts on his physical moments. There's also an issue with performances, finding Walsh way too vanilla to make much of an impression in his critical role, while Hudson and Curry are too broad, trying to bring some animation-style bigness to the live-action offering (Baker doesn't help the cause either). The endeavor does well with beasts, as Amy is a terrific creation, and sets are impressive, pulling the characters into a maze of temples and jungle that adds a touch of mystery to the effort. Overall, Marshall struggles to bring "Congo" to life, stiffly executing major scenes of horror and survival, keeping the picture weirdly restrained when it obviously has the potential to reach "Jurassic Park"-like highs of excitement.

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