5.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
A dying police detective makes a deal with an informant to stage his death so that his family can take the highest possible amount of bureau benefits.
Starring: Mel Gibson, Dominic Purcell, Kate Bosworth, Nick Stahl, Russell Richardson| Thriller | Uncertain |
| Crime | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
Slipcover in original pressing
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 3.0 | |
| Audio | 4.0 | |
| Extras | 1.0 | |
| Overall | 2.0 |
Somewhat hilariously given some thoughts writer and director Michael Oblowitz shares on the commentary included on this disc, my colleague Brian Orndorf mused in his review that "perhaps the picture was initially imagined as a return to police movies of the 1970s". That's now a bit funny because Oblowitz mentions he wanted the film to be a throwback to the nineties, but then comedically goes on to announce that the nineties were the culmination of what started happening in the seventies and eighties. Um, yeah, that's how time works, some may be thinking. No matter what decade is attempting to be evoked, though, Confidential Informant never completely gels and it in fact may end with at least a couple of major questions still hanging in the air.


Confidential Informant is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. There's not much technical information online that I could find, and the commentary is hobbled by some weird noise issues so that I only spot checked it, and therefore didn't hear cinematographer Chris Squires mention what camera was used, but one way or the other, I'd merely suggest looking at the screenshots I've uploaded to accompany this review and see how you feel about the way things look. On top of some really strange pea green grading that is repeatedly used, the image has been pretty aggressively tweaked to resemble 16mm (or really grainy 35mm), with the results being downright fuzzy to the point that things can look positively out of focus at times. The "grain" or whatever you want to call it becomes pixellated on more than one occasion, with some chroma anomalies that tend to bring bursts of yellow and/or blue across the frame. I guess it was done intentionally, but that doesn't mean it looks very appealing.

The audio side of things fares somewhat better with a decently immersive DTS-HD Master Audio 5.1 track that makes good use of both ambient environmental sounds and a typically pulsating score. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.


I guess I could indulge in a bit of black humor and say the torch has been passed from Bruce Willis to Mel Gibson into the seemingly unending series of lower budgeted Lionsgate releases that are more or less DTV offerings. Like Willis' many quasi-cameos, Gibson was probably on set for a day or two to get his interstitial moments in the can, leaving the bulk of the dramatics to the rest of a committed but underserved cast. Technical merits are a little iffy on the video side but fine on the audio side, for anyone who may be considering making a purchase.
(Still not reliable for this title)

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