5.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
When an ex-CIA agent (Gene Hackman) is called out of retirement to escort a Soviet spy (Mikhail Baryshnikov) to Berlin for a prisoner trade with the Russians, it seems like business as usual. But when the former adversaries realize they've been double-crossed by their own governments, they must work together to uncover and destroy the double operatives within both the CIA and the KGB to win this intricate and deadly spy game.
Starring: Gene Hackman, Mikhail Baryshnikov, Kurtwood Smith, Terry O'Quinn, Daniel von BargenCrime | 100% |
Thriller | Insignificant |
Drama | Insignificant |
Comedy | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 2.5 | |
Overall | 3.0 |
The Cold War was big business for writer/director Nicholas Meyer in 1991, with one of his biggest hits, “Star Trek VI: The Undiscovered Country,” managing to rework global tensions to fit a space opera, emerging with a thoughtful, clever sequel, one of the best in the series. Meyer is a little more direct with his political interests in “Company Business,” which offers a traditional take on spy games and government hubris. A Euro-scented buddy comedy that isn’t all that interested in producing laughs, “Company Business” is jumble of ideas from the normally measured Meyer, who scrambles to arrange a puzzle of motivations and secrets that play into an era-specific dismantling of national muscle. Perhaps the least effective effort from Meyer, the feature certainly isn’t lazy, just uninspired, missing secure direction necessary to make this sophisticated mix of attitudes and locations gripping.
The AVC encoded image (1.85:1 aspect ratio) presentation for "Company Business" does an adequate job respecting the original cinematography. Colors aren't overtly faded and remain communicative, and while the palette isn't explosive, hotter urban reds and cooler espionage blues retain their impact. Skintones are generally consistent with a few pinkish extremes. Grain is heavy and noisy at times. The overall viewing experience is filmic, with satisfactory detail on close-ups and set dressing, and costumes retain textures. Delineation manages to survive, though a few evening sequences carry to the brink of solidification. Distances are mostly preserved. Source is a bit tattered, with constant debris and speckling.
The 2.0 DTS-HD MA sound mix isn't very consistent, failing to build up steam as levels drop without onscreen motivation. It's nothing drastic to ruin the listening experience, but it's just enough to notice. Dialogue exchanges are simple and full, isolating dramatic urgency and friendly banter, though a few passages display a minor amount of damage, likely inherent to the source. Atmospherics are welcoming, adjusting to the bigness of tourist areas and the echo of conference rooms. Sound effects are sharp and effective.
Meyer's labor is evident throughout "Company Business," which tries to whip up mood through the use of Dutch angles, wonderfully expansive sets from James Bond stalwart Ken Adam, and a driving score from Michael Kamen. However, by the end of the movie, it feels as though nothing was truly accomplished, with the cast and crew going through the motions to make a spy extravaganza, never feeling it in full. "Company Business" isn't boring, but it's dull, executed by a filmmaker who never seems like he believes in the material, only stimulated by changes in scenery and the occasional moment that suddenly clicks together as a truly suspenseful moment. In 1991, when Meyer made two features about the Cold War, who could've predicted that his most meaningful take on antagonisms would emerge from the "Star Trek" universe. Real world escalation and paranoia just doesn't offer the same political and cultural potency.
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