7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the mysterious Joanne and what's the real story behind Mona's son, James Dean Junior ?
Starring: Sandy Dennis, Karen Black (I), Cher, Kathy Bates, Mark Patton (I)| Drama | 100% |
| Comedy | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (C untested)
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 4.5 |
After scoring a minor hit with his oddball take on 1980’s “Popeye,” director Robert Altman retreated to more manageable professional opportunities, spending a chunk of the 1980s bringing stage plays to the screen. 1982’s “Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean” is part of this career redirection, reuniting Altman with his Broadway staging of Ed Graczyk’s 1976 play. The original theatrical production didn’t find a sustained audience after it debuted, but the material is an interesting fit for a cinematic adaptation, with the helmer managing to preserve the atmosphere of the stage while intensifying dramatics, taking viewers on a strange journey of relationships and revelations during a particularly lively reunion of James Dean fans in small-town Texas.


Screencaps are taken from the Blu-ray
"Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean" was previous issued on Blu-ray in 2014 by Olive Films, and now returns with a new UHD
release from Cinematographe, listed as "a new 4K restoration presented in Dolby Vision," "from the original 35mm camera negative." The picture was
originally shot on 16mm and blown up to 35mm for its theatrical release, and much like other Robert Altman cinematic endeavors, the feature favors a
softer view of frame information. Detail goes about as far as possible, with the hazy look of the offering preserved, exploring character appearances and
the elaborate set, which is loaded with decorative additions. An understanding of costuming and skin particulars is present, and flashback elements
register with clarity. Color is compelling, preserving lighting designs and signage, and orange drink is distinct. Costuming brings out defined primaries,
and skin tones are natural. Blacks are deep. Highlights are tasteful. Grain is heavy. Source is in good condition, but some brief frame damage is
encountered, along with mild discoloration at times.

The 2.0 DTS-HD MA mix is listed as the "original mono theatrical soundtrack." Dialogue exchanges are king in "Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean," and performances register with authority, exploring various dramatic choices, balancing argumentative behavior. Musical elements are defined, with clear instrumentation and vocals. Sound effects with atmospheric changes are appreciable.


"Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean" sticks with Altman's directorial fetishes, remaining pulled back and observant with the reunion, following the characters around the retail space as they experience a rush of feelings and memories. The helmer transfers a stage concept to the screen, using mirrors and lighting effects to explore 1955 in a fascinating way, staying inside the set to visit the past, which gives the feature a special intimacy and creative approach. Graczyk maintains involving characterizations, keeping the personalities chatty and in motion, gradually cutting through pleasantries to explore hidden darkness and shame within. And performances are stellar, observing talented actresses dig their fingers into juicy Texan attitude and delicate emotional revelations. "Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean" takes a few unexpected turns, especially when Joanne walks into the Woolworth's, but Altman delivers a visually compelling and dramatically satisfying adventure into the merging of theater and film. The material's dissection of the past, obsession, and the protective ways of memory also add to the endeavor, which is one of Altman's best.

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Signed Limited Edition to 100 Copies - SOLD OUT
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