5.8 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
An eccentric artist is panned by a well-known critic at his opening for not having a good color sense, so he starts a new series, using his own blood to paint. Soon he is weakened and must find other sources of blood to continue his paintings.
Starring: Gordon Oas-Heim, Candi Conder, Elyn Warner, Pat Finn-Lee, Jerome EdenHorror | 100% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM Mono
English
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 4.0 | |
Overall | 3.0 |
Note: This film is available as part of
The Herschell Gordon Lewis Feast.
Mention the initials “H.G.” to most people, and my hunch is virtually everyone will default to thinking about H.G. Wells, the legendary author
whose
science fiction masterpieces resulted in such memorable films as
The Time Machine, The Invisible Man,
The Island of Dr. Moreau and War of the Worlds. Certain fans who have a slightly
different definition of what constitutes a memorable film might have a variant reaction to those same initials, however, positing one Herschell
Gordon Lewis instead of Mr. Wells. Lewis has long been known by the sobriquet “Godfather of Gore,” and his early exploitation pictures were, for
their
day, amazingly overt in their depiction of what ultimately came to be called “splatter”. Lewis, who only just fairly recently died at the age of 90,
had
an interesting if not especially distinguished career, though it’s notable that Lewis maintained a more than abundant sense of humor about his
films
and his contributions to the supposed art of cinema. Lewis’ filmography (it’s a bit of a stretch to actually call it an oeuvre) hasn’t been
especially well served in the Blu-ray era, though there have been at least a few releases of his work, including The Blood Trilogy, The Wizard of Gore / The Gore Gore Girls and The Lost Films of Herschell Gordon Lewis. Now, in
what
amounts to an elegy of sorts for Lewis, Arrow Video has assembled what will certainly go down in the annals of the Blu-ray era as one of the
most
lavish deluxe sets produced, at least within the confines of what can only be accurately described as “cult cinema”. Along with a collection of
fourteen
films (nine making their Blu-ray debut), Arrow also includes a glut of bonus content (some with Lewis’ involvement), as well as impressive
packaging
and non disc supplements.
Arrow has included some general verbiage about the transfers in this set:
All film materials sourced for restoration were scanned in 2K resolution on a pin registered 4K Lasergraphics Director Scanner at Deluxe Media, Burbank. Film grading and restoration was completed at Deluxe Restoration, London. Thousands of instances of dirt, debris and light scratches were removed through a combination of digital restoration tools. Overall image stability and density fluctuation was also improved when possible.Color Me Blood Red is presented on Blu-ray with an AVC encoded 1080p transfer in 1.85:1. This transfer is boosted by elements in better than average condition, though there are still minor issues like occasional flecks on display. Once again grain is fairly coarse but organic looking. There are occasional issues with damage, as with a blackish flicker that intrudes on the left side of the frame for a while starting at 31:35. Exteriors at the beach pop nicely, and there's even decent shadow definition in one nighttime sequence at the beach. Colors are generally fresh looking, though occasionally some of the reds tip slightly toward orange.
The original mono soundtracks were transferred from 35mm prints by Deluxe Audio Services, Los Angeles, and were conformed and restored at Deluxe Restoration, London.
Additional audio conform for How to Make a Doll and Just for the Hell of It by David Mackenzie.
Although the best existing elements were sourced for this project and every attempt was made to present the films in this collection in the highest quality possible, some of the films still exhibit varying degrees of damage that could not be digitally repaired to our satisfaction. The condition of the existing materials for Moonshine Mountain, The Gruesome Twosome, How to Make a Doll and This Stuff'll Kill Ya all contained extreme levels of dirt, scratches and debris as well as many instances of torn or missing frames. They all exhibited heavy degrees of colour fading as well. Likewise, the print sections sourced to complete A Taste of Blood were both faded and heavily scratched. Throughout the restoration workflow process, our priority was to retain the original photochemical look of the films rather than create unwanted digital artefacts by heavy handed picture cleanup. Therefore, many of the films in this collection exhibit "warts and all" appearance, in keeping with their distribution history and physical condition.
Restoration supervised by James White, Arrow Films.
Color Me Blood Red's LPCM mono track is one of the better sounding ones in the Lewis set, though it has the typically boxy sound that is heard in other releases in this set, something that's especially noticeable in moments like the opening tympani cues. Later orchestral cues can be a little thin sounding, and a late saxophone cue sounds a little phased. There's minor but noticeable background hiss, though dialogue is always easy to hear.
Arrow has packaged this set a little unusually, with two films per disc and one set of supplements for both movies available from a main menu. While some of the supplements are obviously geared toward one individual film, others are a bit more general in nature, and so I'm listing the complete supplemental package for each particular disc rather than for each individual film. The supplements for Color Me Blood Red and Something Weird are:
- Color Me Blood Red Trailer (1080p; 1:26)
- Something Weird Trailer (1080p; 1:26)
- Jimmy, the Boy Wonder Trailer (1080p; 1:39)
- Color Me Blood Red Commentary features Herschell Gordon Lewis and David Friedman.
- Something Weird Commentary features Herschell Gordon Lewis and David Friedman.
Color Me Blood Red is effective on its own gruesome but patently ridiculous terms. This presentation is one of the more consistent and pleasing in the Lewis set, and the supplementary package is excellent. Recommended.
(Still not reliable for this title)
1963
Special Edition
1964
1971
1964
1967
1972
1968
1970
1967
1967
1968
1968
1963
1985
Special Edition
1982
1966
1990
Roger Corman's Cult Classics
1980
1980
Special Edition
1988