7.1 | / 10 |
Users | 4.5 | |
Reviewer | 4.0 | |
Overall | 4.2 |
Inman, a Civil War Confederate soldier, is seriously wounded in battle before heading home to North Carolina to his pre-war beloved, Ada. In his absence, Ada--with the help of a young drifter named Ruby--is desperately trying to hold onto the farm of her deceased missionary father. Inman's long journey home takes him through the crumbling confederacy, as he meets people of all walks of life who want to both aid and hinder his mission.
Starring: Jude Law, Nicole Kidman, Renée Zellweger, Eileen Atkins, Brendan GleesonRomance | 100% |
Drama | 83% |
War | 66% |
Period | 63% |
Melodrama | 53% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English, English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 3.5 | |
Overall | 4.0 |
In this isolated world of locked doors and pulled shades, it’s not unusual for people to not really know who their neighbors are. Imagine my eldest sister’s surprise, then, when she discovered that novelist Charles Frazier was one of her neighbors in North Carolina, something she evidently found out quite by accident simply because a Frazier “groupie,” eager to track down the Cold Mountain author, was asking everyone she could find in the neighborhood if they knew exactly where Frazier lived. Cold Mountain was Frazier’s first novel and it instantly put him on the map of important American voices. Cold Mountain is an actual, real life locale in North Carolina, and Frazier was critically praised for so aptly capturing a North Carolinian ambience in his novel, one which grittily brought to life the horrors of the end of the Civil War and the devastation that was visited on civilian and soldier alike. Anthony Minghella might have seemed like a rather odd choice to helm the film version of Cold Mountain, for Minghella could hardly be described as a director interested in grittiness. Minghella’s two best known films prior to Cold Mountain had been the ultra-glossy The English Patient and The Talented Mr. Ripley, films that were redolent in their own way of the intentionally glamorous works of David Lean and Alfred Hitchcock. Could Minghella, an Englishman, really capture the down and dirty world of the late Civil War, let alone convincingly create a decidedly American ambience? The answer, once the film premiered, was a decided “yes,” albeit with a couple of caveats. Featuring a trio of old time Hollywood star performances from Jude Law, Nicole Kidman and Oscar winner Renee Zellweger, Cold Mountain is a strangely old fashioned entertainment (if "entertainment" is the right word, considering the film’s overabundance of tragedy) wrapped up in a sort of post-modern cynical covering that at least somewhat removes the film from more patently burnished feeling Civil War set films like Raintree County. (It's perhaps interesting to note that the two leads of Cold Mountain aren't American, something that caused an uproar back in the thirties when Vivien Leigh was signed to play Scarlett O'Hara in Gone With the Wind, probably the most iconic Civil War film of all time. Here, decades later, it caused barely a stir.)
Cold Mountain is presented on Blu-ray courtesy of Lionsgate-Miramax with an AVC encoded 1080p transfer in 2.35:1. This is for the most part a solid and substantial high definition upgrade, one which presents the films beautiful locations in appreciably increased detail, but one which perhaps doesn't quite rise to the level of some other recent Lionsgate-Miramax catalog releases like Frida and Shakespeare in Love. Grain is noticeably more apparent in this release (as it is in Minghella's The English Patient, which I'll be reviewing directly after Cold Mountain), and is no doubt part of Minghella's preferred visual style. While it's never overwhelming, it definitely spikes in a number of sequences, quite noticeably in several of the darker moments as well as (perhaps surprisingly) shots that include bright, clear skies. The image offers nicely robust colors, though it must be said that Minghella and DP John Seale deliberately mute some of the palette, especially in the battle sequences, so that they look almost like old daguerreotypes. Fine detail is exceptional in midrange and close- ups (some of the close- ups of Law's deteriorating face are in fact alarmingly well detailed), while far range shots tend to just slight fuzziness at times. Aside from some very minor haloing, there really aren't any artifacts to report here. This isn't quite up to the excellent standards set by the first couple of releases in this ongoing Lionsgate-Miramax wave, and some might wonder if the film might have looked at least a bit better, but overall my sense is fans should be very well pleased with this high definition upgrade.
Cold Mountain is presented with a lossless DTS-HD Master Audio 5.1 mix that is quite remarkable on several levels. The film alternates between bombastic battle sequences and quieter, country-set moments with Ada (at least for the first part of the film), and the track captures the vast differences in these soundworlds effortlessly. The opening battle sequence with Inman features some devastating explosions that are delivered with some awesome LFE. But what really struck me about this track was actually the quieter, more reflective moments, where the quiet bleating of a sheep or rustling of the wind through trees with faint birdsong really helped to capture the ambience of North Carolina. The film also features a really evocative score that utilizes a lot of folk melodies and instruments, and those sound absolutely fantastic on this track. Dynamic range is exceptional, and surround activity is really pretty persistent throughout the film, even in more reflective dialogue moments. Fidelity is top notch, with no damage or distortion to report.
Cold Mountain takes a special kind of emotional fortitude to make it through unscathed, much like the characters in the film themselves. Minghella crafts and exceptionally handsome production here, one which is, yes, gritty, but also refined. The three leads are exceptional, with Zellweger a real standout, and the film features superb cinematography, editing and sound design (including a gorgeous score). But this is a relentlessly depressing film which only is partially ameliorated by a quasi-happy ending. While this Blu-ray is perhaps just incrementally less impressive visually than the other recent Lionsgate-Miramax releases alluded to above, it's really overall a fairly slight difference in quality. With excellent audio and good supplements, this film, despite its depressive qualities, comes Highly recommended.
2017
70th Anniversary Edition
1939
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1951
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Masterpiece Classic
2015
2008
45th Anniversary Edition
1965
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1932
Masterpiece Classic
2012
The Vivien Leigh Anniversary Collection
1937
Love & Honor
2013
2011
La vita è bella
1997
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80th Anniversary Edition
1942