6.4 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
An adulterous woman's faith in God is tested when her husband dies and miraculously comes back to life.
Starring: Theresa Russell, Mark Harmon, James Russo, Will Patton, Richard BradfordDrama | 100% |
Romance | 87% |
Thriller | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 2.0 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 3.0 |
While a respected filmmaker, Nicolas Roeg certainly struggled in the 1980s and ‘90s to match his impressive run of features in the 1970s. There was “Walkabout,” “Don’t Look Now,” and “The Man Who Fell to Earth.” These were challenging, enigmatic pictures that cemented his reputation as a helmer searching for artful ways to explore the human condition. A year after his unlikely employment at the director of “The Witches,” Roeg tries to reconnect with his heyday for 1991’s “Cold Heaven.” An adaptation of a novel by Brian Moore, Roeg returns to the mysterious ways of life and death, reviving “Don’t Look Now” ideas to keep viewers unsettled as he mounts a mix of horror and religion. Well past his prime, the blend of Christian suffering and mystery eludes Roeg’s control this time around, as “Cold Heaven” doesn’t connect in any profound way, often caught struggling to sell its elusiveness without providing a proper reward for such attention.
An obscure pull from the MGM catalog, "Cold Heaven" comes to Blu-ray with an AVC encoded image (1.85:1 aspect ratio) presentation. Age is apparent, offering a soft viewing experience, but colors are decent with costuming and hotel décor. Outdoor activity is more distinct, presenting golden sunlight, blue skies, and greenery. Skintones are appropriate, including the bloodless makeup work on Harmon. Fine detail isn't strong, but dimension with cliffside distances and Mexican waters is passable. Delineation is satisfactory. Grain is chunky, and artifacting is periodic, going blocky with smoke elements. Source has some wear and tear, with speckling and large chunks of debris common throughout.
The 2.0 DTS-HD MA mix presents appealing instrumentation with scoring cues, which include warm orchestral sounds and inappropriate stretches of hot sax. Music is balanced well with dialogue exchanges, which retain their dramatic urgency, handling argumentative behavior and panic without distortive highs. Roeg's use of aural layering to communicate Marie's whirring mind is effective and clear. Atmospherics deliver hospital bustle and open water activity.
"Cold Heaven" has some potentially interesting ideas on the nature of marital commitments, offering a torturous psychological ride for Marie as she prioritizes the men in her life, grasping mistakes and the potential for peace. Not helping the cause is casting, as Russell (Roeg's wife at the time) doesn't have the range for such an arduous part, unable to present the audience with an understanding of motivation. Harmon is equally miscast as Alex, not built for this type of thespian impact, coming up short when selling the character's life and death battle. Perhaps the picture was hurt in the editing room, but it's more likely Roeg didn't have a real game plan for this journey into remorse and paranoia, trusting some old acts of ambiguity and symbolism might be enough to inspire a deeper look at the particulars of "Cold Heaven." Sadly, the director never gets below the surface of the drama.
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