6.1 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
One man's evening with a prostitute takes a turn for the worse when a pair of hardened criminals show up at the home of the man's uncle, a judge who unfairly convicted one of the criminals years before. Tensions mount as the victims try to turn their captors against one another and save the judge's life, as well as their own.
Starring: Giovanna Ralli, Frank Wolff, Fernando Rey, Karin Schubert, Gianni GarkoForeign | 100% |
Thriller | Insignificant |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.88:1
Original aspect ratio: 1.85:1
English: LPCM 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 2.5 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 0.5 | |
Overall | 2.5 |
A big name in low-budget Italian genre cinema, director Enzo G. Castellari is probably best known now for his 1978 men-on-a-mission movie The Inglorious Bastards, which was brought back into the spotlight after it served as a loose inspiration for Quentin Tarantino's film of the same name. B-level war flicks (Eagles Over London), spaghetti westerns (Keoma), and politziottesco actioners (High Crime) were his bread and butter during the '70s—earning him the epithet "the poor man's Peckinpah"—but Castellari couldn't pass up taking a stab at the recently-popular giallo sub-genre with 1971's Cold Eyes of Fear. The film is only nominally a gialli, though, lacking the outré kink and proto- slasher violence associated with some of the most iconic examples of the form, like Lucio Fulci's Don't Torture a Duckling, Dario Argento's Deep Red, and Mario Bava's Bay of Blood. Cold Eyes of Fear is closer to a Straw Dogs-style home invasion thriller, only slower, more talky, less psychological, and entirely devoid of suspense. It's not bad, but it is duller than a butter knife.
As we've come to expect from Redemption Films titles distributed by Kino-Lorber, Cold Eyes of Fear is essentially presented as-is, with a
1080p/AVC-encoded transfer that hasn't been significantly cleaned or digitally restored. Personally, I don't mind this for films of this sort—it adds to the
grimy grindhouse vibe—but be aware that the print is covered with flurrying white and black specks, vertical scratches that come and go, and the
occasional shadows of hairs stuck in the film gate. In all other regards, however, this is actually a rather striking high definition presentation for a mid-
rate giallo. Natural film grain is untouched by digital noise reduction, there are no signs of edge enhancement or other unnecessary embellishments, and
no noticeable compression or encode issues.
Shot by Antonio L. Ballestreros—the cinematographer for Sergio Leone's official directorial debut, The Colossus of Rhodes—Cold Eyes of
Fear has an unstylized, almost documentarian look, especially in the early scenes, shot on the streets of nighttime London solely with existing light.
Unlike a lot of low-budget Italian productions, the lensing is very crisp here for the most part, and the upgrade to Blu-ray—especially from Redemption's
now-ancient DVD—is immediately and consistently visible, with a strong degree of fine detail in the actors' faces and clothing. Color is handled well too,
particularly when you consider that the film takes place almost entirely at night and indoors. Saturation is good, black levels rarely infringe on shadow
detail, and highlights never blow out harshly. Print damage aside, this is one of the better-looking Kino/Redemption releases lately.
Kino has given us an uncompressed Linear PCM 2.0 version of the film's original English dub, and like the 35mm transfer, the audio shows its age, with quiet but near-constant crackles and light hisses and splice pops. None of this rises to the level of distraction, though, and for the most part, the mix is easy on the ears, free of high-end brashness and peaking. Dialogue is almost always clearly understand, which is good, since Kino hasn't included any subtitle options—a pet peeve of mine—and the minimal effects have all the presence they require for such a talky, low-key film. The real star of the audio show is Ennio Morricone's spastic jazz freakout of a score, with its guitar squalls and thwacked upright bass, muted trumpet blasts and funky drumming, all of which sounds as good as might be expected.
Cold Eyes of Fear has a giallo-ish title, a giallo-ish plot, and a giallo-ish sense of style, but it's hardly a giallo—it's too slow and too talky, with a distinct lack of the razor-edged violence and gratuitous kink that has come to characterize the genre. It has a killer score from the legendary Ennio Morricone, and it does have its moments of insane weirdness—where'd that guy in the kimono come from?—but on the whole it's dry, uneventful, and certainly not a must-see unless you're an obsessive devotee of low-budget Italian moviemaking. If you are, note that Kino's Blu-ray release is a solid improvement over the old Redemption DVD; while the print is as grubby as ever, the high definition remaster does wonders for the sense of clarity.
Gli occhi freddi della paura | Indicator Series | Limited Edition
1971
Gli occhi freddi della paura | Indicator Series | Limited Edition
1971
Standard Edition | Coto de caza
1983
La coda dello scorpione
1971
Autostop rosso sangue
1977
Rape Me
2000
1968
Naked Massacre / Die Hinrichtung
1976
1937
1961
Laissez bronzer les cadavres
2017
Morte sospetta di una minorenne
1975
מי מפחד מהזאב הרע / Mi mefakhed mehaze'ev hara
2013
Città violenta / Final Shot / The Family
1970
Miss Muerte / Dans les griffes du maniaque
1966
Il giustiziere sfida la città
1975
A doppia faccia
1969
La morte non ha sesso
1968
2010
The Death Dealer / Milano odia: la polizia non può sparare
1974
Una lucertola con la pelle di donna
1971
Tutti i colori del buio
1972